Showing posts with label marvel. Show all posts
Showing posts with label marvel. Show all posts

Wednesday, 6 February 2019

COMMENTARY CLUB 006 - Howard the Duck (1986)


George Lucas making a big screen adaptation of a cult Marvel comics character? What could go wrong? Well, just about everything... as Teresa and Jim discover in this episode!

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Wednesday, 23 January 2019

THE 'ORRIBLE 'OUSE OF TERRIBLE OLD TAT - Top Marvels! Part II



Last week we learned how in the mid '70s, there were two hot crazes gripping the playgrounds of the UK - Top Trumps cards and Marvel comics. And it was perhaps inevitable that these two titans would not only meet, but be fused together by colossal cosmic forces in a Stan Lee style plot twist!  Well, that was almost the case... For back then Top Trumps were still mainly concentrating on vehicles and military hardware and it would be several years before the brand began to produce packs that were tie-ins to fictional properties such as movies, TV shows or comics. Clearly they were missing a trick here, but in the shadows, other eyes were looking to seal a canny and timely toy licensing deal. 

Those eyes, presumably glowing with the uncanny light of comic-book radiation, or at least the prospect of big money to be made, belonged to Jotastar, a toy maker who would produce a great many tie-in toys for a variety of different kid-friendly properties, from the Mister Men and Hollie Hobby to The Real Ghostbusters and M.A.S.K. Now when it comes to games, rules mechanics are very hard to copyright, mainly because so many share commons ones i.e. roll a die and move that number of spaces, or play a card on your turn etc. Now in the case of Top Trumps, things were even murkier, as that game itself had evolved from earlier card games such as Quartets. Hence you could, quite legitimately produce a game with identical rules, and provided the magic words "Top Trumps" never appeared in the instructions, packaging or marketing there was very little to stop you.

Now while cars and motorbikes undoubtedly had an appeal for kids, Jotastar couldn't help but notice that superhero comics were greatly outselling motoring magazines down the newsagents. And so, in 1977, the Marvel Superheroes Card Game was launched, and news soon spread that there was now a marvel Top Trumps. Of course, that last two words in that sentence very carefully did not appear anywhere in the rulesor marketing, but kids everywhere instantly knew who to play this game - indeed the rules included could have been written in ancient runes of Latvaria and the game would still have sold shed-loads.


The pack itself consisted of forty cards, two a card detailing the rules and another listing all the character in the deck. The pack was divided into two halves, twenty heroes, and twenty villains -  

SUPER-HEROES
Black Bolt
Captain America
Captain Britain
Daredevil
Ghost Rider
Goliath

Invisible Girl
Iron Man

Mr Fantastic
Spider-Man

The Black Panther
The Hulk
The Human Torch
The Mighty Thor
The Silver Surfer
The Sub-Mariner
The Thing
The Vision

The Wasp

VILLAINS
Absorbing Man
Dr Doom
Dr Octopus
Dr Strange
Galactus
Hammerhead
Loki
Mephisto
Morbius
Tarantula
The Abomination
The Dread Dormammu
The Green Goblin
The Gremlin
The Grizzly
The Human Top
The Jackal
The Red Skull
The Rhino
The Vulture
Tiger Shark


The rules of the game suggest dividing the pack into heroes and villains and for two players to have at it. An alternative is also suggested under the banner of GAME TWO - basically a brief couple of lines saying just shuffle the pack and divide it among the players and use the rules for GAME ONE.
However of course many kids came up with their own variant, such as pitting a small team of heroes, like for example all the Fantastic Four and seeing how they fared against an army of villains, or if they could take down their fellow heroes.

Indeed using the stats given on these cards - Physical Strength, Special Powers and Weapons - many a geek argument was settled. And fact-fans, in case you wondering how Civil War would play out in this deck, well it was no contest really - with Iron Man out-gunning Cap in all categories: Physical Strength - 8 vs 7, Special Powers - 5 vs 3, and Weapons 6 vs 5. Yep, Shell-Head wins every time! Now you may argue that these stats were just pulled from the air by some desk jockey at Jotastar, but these cards were OFFICIAL Marvel merch right? They even advertised in the pages of Marvel's flagship comics in the UK, The Mighty World of Marvel as seen below (which even cheekily included the word "Trump" just to ensure everyone knew what they were getting). And what's more you could even send off from a pack from the advert too in case your local toy emporium didn't stock it. 


And hence as they were not only advertised but sold in the pages of Marvel UK comics, this game felt like pretty definitive. Indeed even the rules sound like Stan the Man himself, complete with unnecessary capitals - "a game for challenge for two players in which those Mighty Marvel Super Heroes battle the most awesome array of Vicious Villains ever assembled!". Of course now we may question the actual selection of characters - Grizzly and the Gremlin but no X-persons - but it is a fascinating snapshot of the Marvel Universe as it was back then, an era before the likes of Wolverine, the Punisher and Venom became mega-favourites with the fans.

Back in the 1970s however, in an age before Wikipedia, and lavish coffee-table books on comics lore and history, this card game was more than just a fun pastime - it was a secret encyclopaedia of the Marvel universe. Remember that cheesy old song about how a soldier gets out of trouble for having a deck of cards by spinning an elaborate explanation of how the cards all remind him of something in the Bible? Well, that was close to how we felt about the Marvel Super Heroes Card Game, except we really sincere (unlike that soldier in the song who I suspect if he were a Top Trumps card would have stats such as BARE-FACED CHEEK 8 and BULLSHITTING SUPERIORS 9). And this was even more true I think for UK kids, who had only recently discovered this universe thanks to Marvel UK opening as few years earlier. Of course, even back then we knew there omissions - what no Nick Fury or Man-Thing? However this was a close to a guide book to the comics as you were going to get back in the mid-'70s. And hence that what it was to many of us - an encyclopedia with shufflable pages! 

Interesting around the same time, Jotastar would produce a very similar Doctor Who themed deck... But that's a story for another day...


Friday, 16 November 2018

MICROGORIA 63 - Saluting Stan Lee


In a special episode Mr Jim Moon remember the legendary Stan Lee, and reflects on his truly Marvel-ous achievements!

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Sunday, 17 September 2017

HYPNOGORIA 70 - A Tribute to Len Wein


In this episode, we mark the passing of another great talent, comics legend Len Wein, a man who penned classics runs on Spiderman, the Incredible Hulk, X-Men, the Phantom Stranger, the Justice League and Batman, and also created Swamp Thing and Wolverine! 


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Friday, 30 June 2017

The Mummy in Comics Part IV

WEB OF MYSTERY 23 (1954)
published by Ace Magazines 

NIGHTMARE #11  (1954)
published by St. John 

BEWARE #14 (1955)
published by Trojan Magazines 

ADVENTURES INTO THE UNKNOWN  (1958)
published by American Comics Group/ACG

TALES TO ASTONISH #8 (1960)
published by Marvel Comics

Thursday, 20 August 2015

TOMB OF THE TRUMPS #04 - Devil Priest Pack Part IV


Well then, after the easy-peasy cards to identify last time, our next pair present quite the challenge. Indeed over the years, many have thought that this pair were actually the product of the demented imaginings of the unnameable Horror Top Trumps artist. And at first glance, you may be forgiven for thinking that perhaps there was a title mix-up with these two as well. I mean, surely that hooded bloke with the scythe should be Death not that goggle-eyed muppet!

Ah Death, possibly one of the most enigmatic of all the Horror Top Trumps cards. Whole generations puzzled over it. Firstly everybody wanted to know why this card didn't show the expected skellington and scythe. The more technically minded Top Trump players wanted to know how in the seven names of Hades was it possible for Death - Death itself for Pete's sake - only had a Killing Power of less than 100. While the more eagle-eyed amongst us wanted to know whether Death was actually being pictured as wearing a large wide brimmed hat, possibly a sombero... I mean, look at that building in the back ground! Is that one of those sun-bleached little churches that always appear in spaghetti westerns? 

But as perplexing as all the above queries where, there was one question that, if you pardon the pun, trumped all the rest. And that was simply - What. The. Hell. Is. THAT? 

Well dear friends, I can now at last reveal the truth! Although the bizarre nature and slapdash penmanship of the card do rather suggest that this was the product of a deranged imagination, Death is in fact another rip-off, although admittedly a somewhat obscure one. The card is actually based on a mask made by the legendary Don Post Studios. 

Founded by Don Post (obviously) this outfit began producing novelty items in the late 1940s, and by the 1960s had become famous for their full head latex masks. Post soon brokered a deal with the likes of Universal and began producing masks of the famous movie monsters based on the original make-up. What's more he took casts of living cult icons such as Tor Johnson and William Shatner to make masks in their image - famously Michael Myers' mask in the original Halloween is actually a modified Post Shatner mask!  Furthermore the range of deadly masks from Silver Shamrock in Halloween III: Season of the Witch are Post creations too. However aside from doing classic movie monsters and having the licenses to produce Planet of the Apes and Star Wars masks, Don Post Studios also created their own original creations - one of which was this chap (no doubt inspired by the Star Wars spawned SF boom) who appeared in the 1977 Don Post catalog - the Coridian Alien! 


Yes, ladies and gentlemen I believe we have a match! Incidentally Top Trumps wasn't the only thing to recast the Coridian Alien mask either. As Don Post masks were of such good quality it wasn't unusual for them to be used in low budget movies and TV, and hence the Coridian Alien appeared in the short-lived Logan's Run TV series. In the second episode, The Collectors, which aired on 23rd September 1977, Logan and his companions encounter nefarious shape-shifting aliens disguised as humans. This sneaky lot were collecting samples of different lifeforms for the usual conquer everything schemes, and the Coridian Alien masks were used as the true monstrous features of these intergalactic ne'er-do-wells revealed in the finale! 

Given their brief screen time in the Logan's Run TV series episode, it's unlikely the Horror Top Trumps artist copied it from there. However considering that Don Post were advertising in a variety of horror and SF magazines in the '70s, its far more likely the Coridian Alien was discovered in such an ad. Indeed it would seem likely that the mags like Famous Monsters of Filmland and Starlog were the source of many of the images cribbed for the Horror Top Trumps, and our next card bears this out...
In the 1970s there was a huge boom in horror related magazines, with the charge being led by Warren Publishing. Now famously horror comics had been effectively banned in the US since the mid 1950s,  thanks to the Comics Code Authority. However having produced two successful magazines celebrating monster movies - the afore-mentioned Famous Monsters and Monsterworld, the ghouls at Warren realised that the Code didn't cover magazines being larger and pricier fell outside the CCA definition of a comic. Hence in 1964, Creepy was launched, and as the world didn't collapse in a riot of moral decay, was soon followed by Eerie and Vampirella. The mix of articles, comics strips, and text stories proved to be highly popular and other companies such as Skywald were soon producing rival publications. By the early '70s, even the mighty Marvel had got in on the act with a whole slew of horror mags published under the imprint of Curtis Magazines, which delivered a similar blend of text and comic books features.    

One such publication was Vampire Tales which ran bi-monthly for 11 issues from August 1973 to June 1975. As well as the usual one-off anthology stories, the magazine starred Morbius the Living Vampire, a former Spiderman villain now getting a new lease of life in pure horror comics, and introduced to the world Satana, the Devil's Daughter who would later migrate to the Marvel superhero universe. Now evidently the mysterious Horror Top Trumps artist was scouring the monster mags of the day for things to pinch, for who do we find menacing Morbius on the cover of issue #3? Why it's Devil Priest! 


OK so he's traded his purple clobber for a more tasteful blue and has been flipped from left to right, but Devil Priest is unmistakably the leader of the Demon Cult pictured above! 


Wednesday, 7 May 2014

THE BLACK DOG PODCAST #197 - What's Wrong With Her Eyes????


Welcome to this weeks episode of the Blackdog Podcast!

This week Jim returns and we talk about such diverse subjects Jim going gun crazy, Lee building a shed, trips to Florida, Bristol and the pub.Then after a explosive two ring sh*tty superhero and a sliver surfing profanisaurus entry (ooerr) we move on to this weeks film Fantastic Four: Rise of the Silver Surfer.

Will this film follow its predecessor and actually be okay or will it return to form with our preconceived notions of it being rubbish?

Next week we plumb the depths with the B-movie disaster *ahem* I mean disaster movie The Core

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Tuesday, 15 October 2013

WITLESS FOR THE DEFENCE #07 - Hulk (2003)


Here comes the judge! Here comes the judge!

Hello and welcome to our 7th case in which Judge Chris Johnson and legal eagles Mr Jim Moon and Elton McManus of Shonky Lab place Ang Lee's Hulk in the dock! Will "it's not easy being green" constitute an adequate defence?

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Wednesday, 4 September 2013

HORROR WE? HOW'S BAYOU?


Rewind to the early '70s, a time when hair was long, music funky and the width of bell-bottoms still expanding. However in the optimistic first years of this new decade, a plague fell upon the land. No, not the swarms of earnest singer-songwriters clogging up the record shops, something far worse! For now the swamplands and bayous of America were becoming distinctly unsafe, with sightings of foetid, unwholesome shaggy creatures proliferating rapidly! And no, this wasn't just scruffy hippies getting back to nature, this was a  plague of bog-monsters! 

Well, at least that was the impression you got if you were reading the horror comics back then. Seriously though, there must have been something in the air - other than the scent of thai sticks that is - for out of the blue, swamp critters were THE thing in horror titles in the early '70s. And over the years, there's been much debate about how this started and which came first, and hence I'm donning my best Roy Raymond outfit, and paddling down the time stream to the murky glades of the bayous to dredge up the muck-encrusted truth!

Apparently appearing last on the scene at the beginning of 1974, was a hideous beast with his own title - Marvel's own entry into the mossy monster menagerie, The Man-Thing!


Now Man-Thing had originally been a human scientist, Ted Sallis, who was working to recreate the legendary Super-Soldier serum - the lost formula that had transformed puny Steve Richards into Captain America. However a terrorist group were after Sallis's research, and having discovered his secret lab in the heart of the Everglades, the scientist is injured and only just escapes the nefarious villains. He injects himself with the only sample of his version of the serum to help combat his wounds but unfortunately while fleeing the scene crashes his car into the swamp. And hence the world believes Sallis is dead and gone. However the effects of the serum, coupled with mystic forces in the swamp do actually save him... But also transforming him into a mute unthinking mass of moss and slime - the Man-Thing.

Man-Thing is a somewhat unusual character, as he operates on pure instinct - he literally has no intellect whatsoever.  And aside from now being almost indestructible in his vegetable form, he has a curious other ability - all those who know fear burn at his touch. The 1974 Man-Thing comic was helmed by the legendary Steve Gerber, who took the character through a host of wild adventures, having him fight monsters worse than himself but also encountering all manner of high strangeness such wizards and bizarre incursions from other dimensions. 

It was a classic run of issues, with Gerber crafting highly atmospheric and memorable tales. However over the years many have thought that Man-Thing is merely a Marvel knock-off of another horror character,. For their arch rivals DC have a muck-monster of their own. And thanks to a spell of being scripted by the legendary Alan Moore, this bog-beast is somewhat more famous than his Marvel-ous counterpart. We are talking of course about Swamp Thing.


Created by Len Wein and Bernie Wrightson, Swamp Thing launched in November 1972. And like Marvel's bog-beast, this moss-covered monstrosity was once a man too. The first issue told of how scientist Alec Holland was working in a secret lab hidden in the Louisiana swamps on a bio-restorative formula when weirdly enough some nefarious villains attempt to steal his research. Caught in an explosion from a bomb planted by these unscrupulous folks, a burning Holland plunges into the filthy waters of the swamp, and is believed to have perished. But thanks to the formula and, as later we'd discover, mystic forces, he too rises again, becoming Swamp Thing. However unlike Sallis, Holland retained his intelligence and would later learn he was been resurrected as a plant elemental who serves as Nature's guardian.

Now all of this sounds suspiciously similar to Ted Sallis's sorry tale I'm sure you'll agree. So then, was Swampy the original muck monster? Well, no, for this is an area of comics history with roots as tangled as a banyan tree! You see, before the 1974 solo title, Man-Thing had been appearing in the pages of another comic, and an anthology title, Adventure Into Fear!


Appearing in Issue #10 - a month BEFORE Swamp Thing #1 hit the stands - Man-Thing had surfaced in a ten page tale written by Gerry Conway. Man-Thing proved to be very popular with readers and became a regular feature, with Gerber taking over scripting duties for his second appearance. Furthermore as his popularity grew, so did the size of his strip, eventually expanding to take up most of the book which naturally lead to securing his own title by 1974. 

So then, that makes Man-Thing the original haunter of the  swamps? Well, no -  for like Man-Thing, the Swamp Thing has previously surfaced in a DC anthology title before getting his own comic. Yes, this pair have parallel origins both ON and OFF the page. For in Jine 1971, in Issue #92 of House of Secrets, Wein and Wrightson had told a tale called 'Swamp Thing'.


Now this little tale has marked differences to the later comic - it's set at the turn of the century, rather than in the present day, and rather than being plunged into the swamps thanks to industrial espionage, our tragic hero - here named Alex Olsen - is the victim of a jealous rival. However this twisted Gothic tale proved to be such a hit that DC were soon asking Wein and Wrightson to develop a contemporary, more heroic version of the character to star in his own book. And many years later, in 1980s during the celebrated Alan Moore years, it would be revealed that every age has had its own Swamp Thing, reprinting the House of Secrets tale as the first hint that Alec Holland wasn't the first monster to walk the swamps.

However a month before Alex Olsen became a muck-encrusted mockery of a man, Marvel had published Savage Tales #1 in May 1971. Now this wasn't a technically a comic and didn't even bear the Marvel name - and for good reason.


 Back in the 1950's there had been a huge moral panic over comic books which had resulted in the formation of the Comics Code Authority which laid down rules as to what comics could and couldn't show and vetted every issue. And aside for from generally toning down the violence and sex in comics, the Comics Code largely made horror titles untenable with strictures outlawing the likes of vampires, werewolves and ghouls outright. Now publishers were free not to sign up to this, but a book without the Comics Code seal (as can be seen in the upper right corner of all the covers above)  wouldn't get picked up by distributors.

However by the end of the '60s the Code was been revised and was becoming more flexible, allowing Marvel and DC the freedom to publish horror titles once again. However there were still limits on what could be shown, and to get around this an independent publisher Warren exploited a loop hole in the rules. For if your comic was printed in the larger magazine format and the strips were in black and white, then technically it was no longer a comicbook as defined by the Code and therefore outside its jurisdiction.

And so Warren launched Creepy and Eerie as horror magazines, and the more adult content proved to be a hit with readers. And other publishers such as Skywald and Stanley Publications were also soon releasing similar horror comic magazines such as Nightmare and Ghoul Tales. Hence Marvel formed Curtis Magazines to launch its own range of Code-free comics, with Savage Tales being the second attempt to break into this new market. The lead strip in Savage Tales was a Conan story but it also contained a tale scripted by Roy Thomas and Gerry Conway entitled 'The Origin of the Man-Thing'.


And despite being cancelled after just one issue, there were plans for Man-Thing to be a regular feature in the new magazine. Indeed a second story had even been scripted, and woulod eventually see print a year or so later in Astonishing Tales #12 in June 1972. However interestingly this time the hulking swamp monster was written by Gerry Conway's room-mate, one Len Wein... Yes, the same Len Wein who created Swamp Thing!

Now then it would appear, if we are judging by cover dates alone, that it's DC ripping of Marvel. However thanks to the complexities of comics production and the fuzzy memories of all involved, no one - not even Gerry Conway and Len Wein - are certain who invented what first. And at the time, there was no legal action brought - however that wasn't down the vagaries of memory, or a lack of evidence over which of the pair first mooted the concepts, or even the fact that despite having kissing cousin origins the Swamp Thing and Man-Thing books took their characters in different directions.

No, the real reason that there was no litigation can be found in a Skywald magazine. For in the second issue of Psycho - which appeared  in March 1971 before either House of Secrets or Savage Tales - another muck monster reared it's ugly head!


Meet Jim Roberts... Jim was a handsome fella until his cropduster crashed into a vat of experimental chemicals and  at a secret military base and the combinations of fire, nerve gas and pesticides transformed him into a monster! And as the Heap, a sentient mass of earth-matter, he would enjoy many adventures in the pages of Skywald's magazine, and even made a short-lived foray into regular four colour comics in late 1971 with his own solo title.


However this character, written by Charles McNaughton and drawn by Ross Andru and Mike Esposito, actually predated both Man-Thing and Swamp Thing not by mere months but by whole decades! For this was but a rebooted version of the Heap, who had had a long life in comics, first appearing in Air Fighters Comics #3 way back in December 1942!

Air Fighters Comics was an anthology title starring the young flying ace Airboy  and featuring other aviator heroes in back-up strips. One such character was Skywolf and a tale in Vol. 1 #3 brought the world the first incarnation of the Heap. Here's his origin -

The transformed Baron Emmelman proved to be a big hit with readers and soon returned, eventually getting his own strip in Airboy Comics Vol. 3, #9  in October 1946. The Heap's adventures would run until 1953, ironically outlasting his parent character Skywolf. Over the years, we'd learn that his transformation was aided by mystic forces - the powers of the earth goddess Ceres - and his look would change; morphing from a white shaggy creature, through dull grays and browns to green and gaining a root-like nose.

And this is the real reason why Marvel weren't suing DC over the similarities between Man-Thing and Swamp Thing. As Roy Thomas recalled in 2002 when Stan Lee first came up with the seed idea for Man-Thing - "The creature itself sounds a lot like the Heap, but neither of us mentioned that character at the time..." And with good reason I suspect - for much like Man-Thing, the Heap was semi-mindless and the two creatures are startlingly, if not litigiously, similar looking! Here's the mature design of the Heap - judge for yourselves...


...It's the carroty nose that does it, isn't it! But equally clearly, looking at his origin Swamp Thing owes a debt to the Heap too.

And there we perhaps have an explanation of not one, not two, but three muck monsters stalking the pages of the horror comics of the early '70s. As the Comics Code relaxed, it was only natural that creators were looking back to the past, and just as many companies resurrected classic terrors such as Dracula and Frankenstein in the pages of their comics, and titles in the vein of the old EC shockers returned to the newsstands, it was perhaps inevitable that attention would turn to one of the great monster characters born in the Golden Age of comics.

Unbeknownst to the writers and artists at the time, with the Heap they had created a new archetypal monster and the success of the '70s swamp critters which homaged it, form a vital part of horror comics history with a long and lasting legacy.

However the Heap itself, despite being the original muck monster of the comics world, was actually owed a heavy debt to an earlier work. In the fable SF pulp magazine Unknown, tin August 1940, legendary writer Theodore Sturgeon published a tale entitled 'It!' which told of a mossy plant monster that turns out to be a transformed man. And this story hailed as one of the best ever printed in Unknown is the great grandfather of all the swamp monsters we've discussed here.

Interestingly Sturgeon's seminal tale was adapted from comics by Marvel in Supernatural Thrillers #1 in 1972 by Roy Thomas and Tony Isabella. And apparently launching an It! series following on from the adaptation was discussed, but highly ironically, ultimately the idea was discarded as it was thought the character was too similar to Man-Thing...



BONUS MATERIAL!

The excellent Jesse Willis of the SFFaudio Podcast has just alerted to the fact that Sturgeon's tale and brood of bog-beasts also inspired a radio play from CBS Radio Mystery Theatre - The Creature from the Swamp in March 1974.





Monday, 15 August 2011

CAPTAIN AMERICA - THE FIRST AVENGER


Truth, justice and the non-spoiler way!

As his old theme tune goes 'When Captain America throws his mighty shield, All those who chose to oppose his shield must yield!'. However I must confess that as a kid just getting into comics, the Cap didn't exactly grab my attention the way Spider-Man, Batman, Judge Dredd and Dan Dare did, and this mighty shield business was part of the problem. Why did he have a shield but no sword? The two go together like Laurel and Hardy, fish and chips, Frank and Stein... And of course, being in the UK, I was naturally more interested to find out what this Captain Britain bloke was all about. 

Now appropriately enough this childhood reactions to Captain America actually neatly sums up the two biggest challenges for bringing one of the most venerable heroes in the Marvel Universe to the big screen. A shield doesn't have the same cinematic cool as a Batarang, and chucking it about possesses a risk of looking daft that web-slinging does not.

However this is small potatoes compared to the issue of the character's inherent patriotism. Given the somewhat, shall we say, mixed opinion of America on the modern world stage, there was a big danger of alienating audiences outside of the US. Now admittedly, in his comics the Captain has frequently seen taking a critical stance of jingoism and where national pride slips into aggression and greed, but as movie versions of superheroes tend towards presenting simplistic versions of the comics characters, there was a danger of the silver screen Cap becoming a parade of super-powered flag-waving.

But fear not true believers! Joe Johnston's take on the classic character artfully handles both these issues beautifully, bringing us a Captain America who symbolising good hearted values that everyone can identify with and making that shield action truly mighty! 

Now Joe Johnston has garnered a reputation for being something of a journey man director, however it has to be said he did a marvelous job with The Wolf Man last year. Yes, Universal's reboot of Larry Talbot's tale wasn't a perfect movie, but considering the mangled and troubled production Johnston inherited, it's remarkable the film turned out so well. Similarly Captain America: The First Avenger has been through the fires of development hell, however this time the behind the scenes problems appear to have been resolved by the time Joe first called 'action!'. And the resulting movie is simply so entertaining and loving crafted, I think we may well see Johnston shaking free of the journeyman tag and a reassessment of his past movies. 

The film tells the tale of the transformation of Steve Rogers (played by Chris Evans) into the titular shield-slinging hero and his attempts to thwart the plans of world domination by rogue Nazi deep science division HYDRA led by Johann Schmidt aka The Red Skull (Hugo Weaving). Yes folks, this is an origin story but it is to the movie's considerable credit that you hardly notice - as the character of Rogers is so appealing even before his transformation, with Evans being supremely likeable in the role. And the plot delivers enough action before he truly becomes the Captain that you're never sat there thinking 'just get on with it!'. 

In many respects, it's a classic David and Goliath style story for even after being supercharged by the super solider serum, Roger is still the archetypal little guy making a stand against the bullies of the world. Of course as an offshoot of the Nazis, HYDRA provide a villain everybody across the world can hate, but it's the presentation of the Captain as a true everyman that neatly transcends the potentially troublesome patriotic boundaries.

But like many of the better superhero flicks, the Red Skull, as another product of the super solider serum, provides a villain that mirrors our hero but is also his polar opposite - Rogers wants to save the world while Schmidt wants to crush it, which further underlines our hero's humanity and virtues.


Now Schmidt is brought brilliantly to life by the ever reliable Hugo Weaving. And while I have some misgivings over the look of the Red Skull in this movie - the classic incarnation in the comics is alot more bonier and craggier - I can live with the fact that he has the same colour and texture as tandoori chicken as the make-up work allows Weaving facial acting to show through. Heavier prostheses and/or more digital make-up could well buried the performance. 

And as well as good performances from Evans and Weaving, we have fine support from the rest of the cast. Tommy Lee Jones is marvelous fun as Col. Chester Phillips - a craggy military old man figure which steers clear of the expected stereotype by giving him some of the funnier one liners in the script. Hayley Atwell as Peggy Carter makes a refreshing female lead who proves she can hold her own against the boys, sporting more character and getting far more action than the usual ladies in a superhero flick. Dominic Cooper gives a great turn as Howard Stark and although his mannerisms recall his onscreen son Robert Downey Jr, he gives the character an individual spin that make him more than just a 1940s Tony Stark. Plus we have Stanley Tucci and Toby Jones putting in scene stealing performances are Dr Erskine and Dr Zola. 

Overall the movie looks the business too - the Captain America costume evolves nicely throughout the film and its final form is both true to the original design yet manages to look realistic. And at this point I should mention the shield work - the story rather nicely explains why the Captain has it and how he discovers its many uses in combat.

As you'd expect from a director who cut his teeth in FX work, the action and big set pieces look fabulous. However what really makes Captain America: The First Avenger stand out from all the other superhero blockbusters is the period setting. Now there's great sets and retro tech props that bring the world of the '40s vividly to life, but the real fun comes from the fact that as well trading in the expected four colour fisticuffs of the comics, this film also makes great use of the WWII setting and so we have a host of scenes that recall war movies of the past. Hence we have chases through misty Germany forests, snowy action at a compound in the Alps, prisoners of war staging a break out, and even aerial pathos as a doomed airman has one last chat with his sweetheart over the crackling radio. There's even a cheeky line that sound suspiciously like a reference to the events of Raiders of the Lost Ark

Speaking of references, there's plenty of connections to the other movies in the Marvel franchise. I've already mentioned the Iron Man link, but also there's also strong connective tissue to Thor and The Incredible Hulk. Yes folks, this Avengers business is all tying together rather nicely! And make you stick around for the now traditional post credits bit which sets the scene for what is coming next summer when all these heroes share a screen.

But how does Captain America - The First Avenger stack up against his Avengers brethren? Well, obviously it's far better than the obviously born of a troubled production Incredible Hulk, and also it's far leaner than the somewhat rambling Iron Man 2. However where you place it next to the original Iron Man outing and Thor will largely depend on which hero best fits your taste. Certainly these movies are three of kind, delivering the same brand of superhero spectacle with plenty of wit and a warm heart. 

And  it's definitely a close run thing between the three - which itself is a testament to the quality of Captain America -The First Avenger. Now for me, Thor still has the top spot but then I have long standing love of Norse mythology. Iron Man loses a few marks for having a weak final villain, whereas if I have a criticism of Captain America, it's the fact that I felt we could have done with just one more sequence with showing the Cap and his commandos battling HYDRA before the final show-down.

However considering the movie already has a two hours plus running time, another dust-up may well have spoiled the flow of the narrative.  For as it is the film flies by, which is the mark of perfect pacing. And also this niggle is perhaps more reflective of the fact that I simply enjoyed the movie so much I just want to see more of the Cap doing his stuff. And very tellingly, especially that throwing his mighty shield!