Showing posts with label phantom of the opera. Show all posts
Showing posts with label phantom of the opera. Show all posts

Sunday, 21 November 2021

HYPNOGORIA 195 - The History of Universal Horror Part XVI


1943 was another bumper year for Universal, with a new Phantom of the Opera, Lon Chaney Jnr. taking on the cloak of the Count in Son of Dracula, and a new franchise launching with Captive Wild Woman. Even the adventures of Holmes and Watson were taking an eerie turn...

DIRECT DOWNLOAD The History of Universal Horror Part XVI

And you can find all the other chapters in our History of Universal Horror here



Find all the podcasts in the HYPNOGORIA family here -

HYPNOGORIA HOME DOMAIN - Full archive, RSS feed and other useful links



HYPNOGORIA on TUNE IN

HYPNOGORIA ON GOOGLE PLAY PODCASTS



Sunday, 7 March 2021

HYPNOGORIA 172 - The History of Universal Horror Part I : Beginnings


In this episode we begin another podcast series, this time charting the history of Universal Horror! In this opening chapter we learn how Universal began and examine the evolution of its horror films, discussing silent hits such as The Hunchback of Notre Dame, The Phantom of the Opera and The Cat and  the Canary.

DIRECT DOWNLOAD The History of Universal Horror Part I : Beginnings




Find all the podcasts in the HYPNOGORIA family here -

HYPNOGORIA HOME DOMAIN - Full archive, RSS feed and other useful links



HYPNOGORIA on TUNE IN

HYPNOGORIA ON GOOGLE PLAY PODCASTS



Tuesday, 31 October 2017

INKTOBER WEEK #4


Day 24 - I'm calling this one "Granny Smith" 



Day 25 - "Before the Storm"

"Something clambered up from the dark - a bloated blanched oval supported on myriad fleshless legs. Eyes formed in the gelatinous oval and stared at him. And he prostrated himself as he had been told, and called the horror's name - Eihort - and under the arched roof amid the nighted tunnels, the bargain was sealed"
from Before the Storm by Ramsey Campbell



Day 26 - "The Red Lodge"
"I saw something slip through the door. It was green, thin and tall. It seemed to glance back at me, and what should have been its face was a patch of soused slime..."
from The Red Lodge by HR Wakefield



Day 27 - "The Headless Horseman"
"When the spooks have a midnight jamboree
They break it up with fiendish glee
The ghosts are bad but the one that's cursed
Is the headless horseman; he's the worst
That's right, he's a fright on Halloween night!"



Day 28 - "The Return of Grimsdyke"
Peter Cushing in Tales From the Crypt 1972



Day 29 - "The Phantom of the Opera"
"He is extraordinarily thin and his dress-coat hangs on a skeleton frame. His eyes are so deep that you can hardly see the fixed pupils. You just see two big black holes, as in a dead man's skull. His skin, which is stretched across his bones like a drumhead, is not white, but a nasty yellow. His nose is so little worth talking about that you can't see it side-face; and the absence of that nose is a horrible thing to look at..."
from  Le Fantôme de l'Opéra by Gaston Leroux



Day 30 - "Prince of Darkness"
Sir Christopher Lee as Dracula


Day 31 - "Portrait of the Artist as a Spooky Man"

And that dear friends brings us to the end of #inktober! This was the first year I actually got it together to give it a shot, and I've had immense fun doing it. For anyone who wants to sharpen their artistic skills or, as it was in my case, revive some long dormant ones, I can highly recommend the simple exercise of doing a sketch a day. It's also a great way to experiment - I had alot of fun trying out some different styles, and while not all of them quite worked, I'm still quite pleased with the results. Certainly I shall be continuing my sketching endeavours into the future from now on! 

Wednesday, 6 April 2016

TOMB OF THE TRUMPS #24 - Dracula Pack IX


Welcome dear fiends to the strange and lurid world of Tomb of the Trumps! Once again we are hunting through cinematic tombs and exploring pop culture necropoli to discover the source of the frequently demented images that comprise the infamous original Horror Top Trumps! And we kick off this excursion into the weird depths with an encounter with a fellow who is something of a repeat offender in these explorations...


Now then, in a bizarre twist of fate, this card very nearly has a title that matches the image! I know, shocking isn't it! Anyhow, this ghoulish dandy presented above is a representation of The Red Death from Edgar Allen Poe's classic terror tale. To be more precise, this is actually our old friend Lon Chaney Snr. yet again, and what's more this Red Death, like The Hangman from a few weeks ago, is also taken from his classic silent version of The Phantom of the Opera too. For in that seminal silent movie, the hideous Erik attends a masque ball at the opera and comes dressed as Poe's personification of death, decay and disease... 


Once again Chaney, who the press of the day rightly dubbed the man of a thousand faces, created his own startling make-up for this scene. And a similarly startling make-up is the origin of the image that inspired our next card too! 


Now then folks, this one very nearly eluded me entirely! For the look of the Mad Axeman you could easily be forgiven for thinking that perhaps this was taken from some old demented comic featuring Frankenstein's monster! Indeed that top 'eavy 'ead and scrunched-up fizzog put me in mind of the long running version of Frankenstein's Monster created by writer and artist Dick Briefer that appeared in Prize comics in the 1940s! 


Alternatively you might be thinking that this card may possibly be the result of our Unknown Artist squashing up a still from a Universal Frankenstein flick - after all,  the Mad Axeman's garb does looks a little bit like the snazzy fleecy jerkin sported by the Monster in Son of Frankenstein (1939).  However, as it turns out, this card is nothing to do with Frankenstein in any incarnation at all! 

Purely by chance I was revisiting an old Robert Fuest flick. Now Fuest was of course responsible for the two classic Dr Phibes movies, and in the last year I'd also revisited two of his other cinematic outings And Soon the Darkness (1970) and The Final Programme (1973) for my podcast (see here and here respectively). Hence I thought I might as well revisit  another of his movies from that era, 1975's The Devil's Rain, a Satanic biker flick that features not only a young John Travolta and William Shatner, but Ernest Borgnine as the Devil! Now if that cast isn't notable enough, the movie features a climax where Mr Borgnine is transformed into a hell-goat and the whole gang of Satan worshippers are melted by supernatural acid rain! 

And it was in that memorably finale where all and sundry liquefy in a quite glorious splatastic fashion, I suddenly leapt up shouting "Mad Axeman!" For behold! Lose the horns and here he is! 


And there we have it - Ernest Borgnine as a melting goat-man! You'll never see Airwolf in the same light ever again now!

Next time we meet another two gentlemen who come bearing the epithet 'mad', but there'll be no liquefying goats I promise!

Wednesday, 23 March 2016

TOMB OF THE TRUMPS #22 - Dracula Pack VII


Welcome dear fiends once more to that subterranean home of terrible old horror tat - the Tomb of the Trumps! Now then after the somewhat obscure goings-on of last episode, this week we are back in classic territory - on terror firma as it were! Heh! Heh! Heh!


Now then, do I really have to explain who The Hangman is? Well, on the off chance you don't know, this green faced sadist is actually the great Lon Chaney in the classic 1925 silent version of The Phantom of the Opera! Behold! 


Now for me, and indeed for many movie buffs, the Chaney version of Phantom of the Opera is still easily the best screen adaptation of the classic novel by Gaston Leroux. Not only is it the most faithful, but still, nearly a century later, no one has bettered Chaney's own self-created make-up for the disfigured Erik. 

However as much as I'd like to sit and gush about the 1925 Phantom - seriously folks, if you've not seen it, do seek it out - we have other business with this card! For as is traditional with these old Horror Top Trumps, there's more than one source being used here in this Hangman tableaux. For yes, his victim is lifted from a still from an old horror flick too. And it's from another classic too! Yes, the Hangman's victim is poor old Dr. Marcus (played by John Carson) in that cult collaboration between Hammer and Brian Clemens Captain Kronos Vampire Hunter (1974)!  


Although, that being said, at first I did heavily suspect the Hangman's victim was none other than Christopher Matthews in anopther Hammer flick of the same vintage, Scars of Dracula! However I think that's just down to our Unknown Artist squashing the head a bit and colouring the hair blonde!


 However we're still on a classic tip with our next card too... Hang onto your hats... and your noggins too, for it's Headhunter! 


Now then despite the fearsome appearance of this card, Headhunter doesn't hail from some forgotten green hell horror flick full of savages and tropical blood rites! Rather like his deck mate Cannibal, this fearful brute is actually based on a pic from a non-horror movie. Yes, Headhunter is actually the genie - played by Rex Ingram - from the classic fantasy flick The Thief of Baghdad, made in 1940 by cinema legends Alexander Korda and Michael Powell.   


However once again, our work here is not yet done. For does not that out-of-scale little white noggin ring a distant bell or two? Well, it certainly always looked vaguely familiar to me too. And at first from the somewhat different style of inking used, I suspected that this little white bonce was perhaps a lift from a horror comic. But then, a penny suddenly dropped - the heavy crude lines weren't due to it being a steal from a comic-book, but because it was taken from a blurry old still. And noting the wonky ears, the one quizzically raised eyebrow, and the beaky snooze, there was only one place this could have come from - Nosferatu (1922)!


Yes, I heavily suspect that Headhunter's trophy is actually based on this still from the classic silent horror masterpiece. And I'm guessing from the heavy lines used by our Unknown Artist, he was working from a poorly printed and/or much magnified picture of the face of Graf Orlock as seen in this famous shot. Hence it's something of a loose likeness I grant you, but there are clear similarities, and too many to be a mere coincidence methinks.

Of course, as usual if you have any better idea, do let me know! Next week we discover an unlikely pairing of a killer monkey and a puddle of goo!