Showing posts with label ghosts. Show all posts
Showing posts with label ghosts. Show all posts

Friday, 18 September 2026

THE NIGHT WIND



The night wind idly stirs the sail,
Rigging begins to creak and wheeze,
And the lapping waves weave a tale
Of strange things brought in from the seas.

Wreathed in strange dreams, ancient and old,
The old abbey watches all, and sees
Stories unfold, secrets untold,
And strange things brought in from the seas.

The church seems far from the town below,
When dark shapes glide on the night breeze,
And folk here fear the long shadow
Of strange things brought in from the seas…


Painting - Whitby Abbey and Church by John Atkinson Grimshaw
Verse by Jim Moon


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Friday, 7 August 2026

A Moonlit Landscape



A Moonlit Landscape

The harvest fields are sleeping,
Moonlight dapples bales and sheaves,
In the hedge something’s creeping,
The night wind among the leaves? 

The sound of footsteps falling
In an empty midnight lane,
Faint voices wailing, calling,
Shadows walk the road again.

The pale road winds on, gleaming,
Round fields and farms, the moon weaves
A path through night’s long dreaming,
For a lost soul that still grieves.


Painting - A Moonlit Landscape by John Atkinson Grimshaw
Verse by Jim Moon


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Sunday, 2 August 2026

HYPNOGORIA 313 - Hunting the Redcap


In this episode Mr Jim opens up the Patreon vaults to release an investigation into some very sinister folklore from the old North  - the legend of the Redcaps. Whether they are ghosts, goblins or faeries, one thing is for certain - they mean us harm!

DIRECT DOWNLOAD - HYPNOGORIA 313 - Hunting the Redcap


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Friday, 31 July 2026

THE GHOSTS OF AUGUST


The Ghosts of August


We had such summer times here,

Laughing in the hall's hey day,

A season of endless cheer,

But now only shadows play


Too much, too long, wines turned sour,

The blue skies faded to grey.

But the place still has power,

And now only shadows play


Trapped by secrets, guilt and gloom,

Cant ever leave, doomed to stay,

Locked in echoes of lost rooms,

Now only our shadows play…


Painting - Autumn Glow by John Atkinson Grimshaw

Verse by Jim Moon

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Wednesday, 22 July 2026

Passing an Old House by Moonlight



That old house is still empty,
Though once it was bright with life,
But darkness calls it home now,
Since the master killed his wife.

‘Twas just evil said the judge, 
And so he hung ten years back,
But they say there's blood stains still,
Spattered on walls red and black.

Did something pass that window?
Surely a trick of the light...
And not a hanged man's corpse
Seeking blood to sup tonight…


Painting - Old English House by Moonlight by John Atkinson Grimshaw
Verses by Jim Moon

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Friday, 17 July 2026

The Haunted House



Deserted long ago,
But everyone knows why,
It's left to rot beneath
A lonely haunted sky.

No pathway leads to it,
For none risk being seen
By the creeping figures
With faces dead and green


Painting - The Haunted House by John Atkinson Grimshaw
Verse by Jim Moon

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Sunday, 31 May 2026

FROM THE GREAT LIBRARY OF DREAMS 172 - An Authentic Narrative of a Haunted House by Sheridan Lefanu


Continuing our haunted house season, we have a tale from Sheridan Lefanu, regarded by MR James as the greatest writer of all ghost stories. And in this little chiller from 1862, Lefanu anticipates the found footage genre, with a tale that reads exactly like a real life witness account of a haunting. 

DIRECT DOWNLOAD - An Authentic Narrative of a Haunted House by Sheridan Lefanu


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Sunday, 26 April 2026

HYPNOGORIA 306 - Piccolo Explorer Book of Mysteries Part II


In the second part of our look back at the Piccolo Explorer Book of Mysteries, we discover what this 1980s children's book series had to say about sea mysteries, fabulous beasts, ghosts, and even devils and demons! 



DIRECT DOWNLOAD - HYPNOGORIA 306 - Piccolo Explorer Book of Mysteries Part II


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Sunday, 1 March 2026

HYPNOGORIA 303 - Your Turn


Some one on social media asked "What's the creepiest thing you've experienced that you genuinely cannot explain?" and Mr Jim examines the strange tales and ghostly experiences that followed...

DIRECT DOWNLOAD - HYPNOGORIA 303 - Your Turn


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Tuesday, 30 December 2025

HYPNOGORIA 299 - The Black Lady of Bradley Woods


In a special New Year's episode, Mr Jim Moon investigates the legend of a ghost who reported walks on New Year's Day - the Black Lady of Bradley Woods. In this show we trace the history of this Lincolnshire haunting, and discover how the folklore has changed and evolved over the years. 

DIRECT DOWNLOAD - HYPNOGORIA 299 - The Black Lady of Bradley Woods


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Friday, 19 December 2025

MARLEY AND JAMES


It is fairly well-documented that M. R. James was a huge fan of Dickens. According to A Memoir of Montague Rhodes James by S. G. Lubbock, this passion for Dickens began at Eton when he discovered the College Library “supplied the whole works of Dickens which were not on our shelves at home. . . . I put Charles Dickens in the forefront of the accessions to my pleasure which Eton gave, for it was wholly new.”

In the same memoir we learn that he knew the works of Dickens so well, he knew many texts by heart. Lubbock tells us he could identify from memory any Dickens quote, and what's more “And there was no character of Dickens whose part he would not sustain, if the circumstances seemed to call for it, at a moment’s notice”. 

References to Dickens also found their way into his ghost stories. For example, both Rats and An Episode of Cathedral History both contain Easter eggs for the Dickens fan. However recently I came across a passage in Dickens that may shed some light on one of James’s most enigmatic tales. 

First appearing in the London Mercury #35, in November 1936, A Vignette was the last story James ever had published, indeed it first saw print some five months after his death. It is a simple tale - which you can hear here - but one that has sparked much debate among devotees of his ghost stories. For this final story is noticeably in a somewhat different style to his other tales, and seems much more personal. It is also very clearly set in his childhood home, the Rectory at Great Livermere, Suffolk. And these elements have caused some folk to wonder whether the strange encounter described in this tale was not merely fiction but based upon something that happened to James himself. 

In the story our narrator recounts some strange incidents in his childhood, centring around a certain piece of woodland just beyond the back gate of the rectory. These oddly eerie incidents culminate with him seeing a strange face appearing in a hole in that back gate of the grounds. The face disappears, and on further investigation, our narrator only spots “a draped form shambling away among the trees”. And that is the story.

A Vignette is a brief but haunting story, but one that is somewhat inconclusive, and indeed, it does read more like a memoir of a possibly paranormal encounter rather than the usual well-rounded ghost stories James wrote. So was it a fictionalised incident for James’ own life, or was it inspired by something else? 

Well, I think I may have discovered a possible literary inspiration. The other day I was re-reading A Christmas Carol by Charles Dickens. It is a book I am very familiar with, and I have read it numerous times - indeed a few Christmases ago I released my own reading of it - but this time one passage suddenly leapt out at me. It is a passage in Stave One - Marley's Ghost. In fact, it is the first appearance by the famous spectre. The incident comes just as Scrooge is going home on Christmas Eve, and has reached the door of his gloomy dwelling. Just as he is about to enter his dark abode, Dickens tells us -  

Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change—not a knocker, but Marley’s face.

Marley’s face. It was not in impenetrable shadow as the other objects in the yard were, but had a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles turned up on its ghostly forehead. The hair was curiously stirred, as if by breath or hot air; and, though the eyes were wide open, they were perfectly motionless. That, and its livid colour, made it horrible; but its horror seemed to be in spite of the face and beyond its control, rather than a part of its own expression.


And when I read this, for some reason I suddenly thought of A Vignette and the appearance of that face in the door. So I retrieved my copy of The Collected Ghost Stories of M. R. James, and when you compare the two descriptions, they do indeed have a good deal in common. Here is the relevant passage - 

It was not monstrous, not pale, fleshless, spectral. Malevolent I thought and think it was; at any rate the eyes were large and open and fixed. It was pink and, I thought, hot, and just above the eyes the border of a white linen drapery hung down from the brows.

There is something horrifying in the sight of a face looking at one out of a frame as this did; more particularly if its gaze is unmistakably fixed upon you. Nor does it make the matter any better if the expression gives no clue to what is to come next. I said just now that I took this face to be malevolent, and so I did, but not in regard of any positive dislike or fierceness which it expressed. It was, indeed, quite without emotion: I was only conscious that I could see the whites of the eyes all round the pupil, and that, we know, has a glamour of madness about it. The immovable face was enough for me.

Now, there are several similarities here - both spectres present livid faces that appear to be hot. Both do not move or speak. And finally, both spectral faces convey an aura of malevolence despite being described as having emotionally neutral expressions. And to my mind, given these shared traits and James’s encyclopaedic knowledge of Dickens, I can’t help wondering whether the strange spectre in A Vignette was inspired by old Jacob Marley’s head on the door. 

In his essay Some remarks on Ghost Stories, James does say “I do not call A Christmas Carol a ghost story proper”, an assessment I would largely agree with. But the opening Stave of the novel, which details the manifestations of Marley, does contain some marvellous eerie incidents and I can’t help wondering if they made enough of an impression on James that the spectre in A Vignette is an echo of Marley’s ghost. The similarities in the descriptions seem too strong to be merely coincidence, but it is quite possible that the influence was purely subconscious rather than deliberate. All of which does not solve the questions surrounding A Vignette, but certainly does add an interesting element to consider when contemplating the final ghost story of M. R. James. 



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Saturday, 25 October 2025

Commentary Club - Halloween Special 2025 - The Amityville Horror (1979)


It's time for our Halloween special and we are visiting one of cinema's most famous haunted houses with a rewatch of The Amityville Horror (1979) starring Margot Kidder, James Brolin and Rod Steiger.

DIRECT DOWNLOAD - Halloween Special 2025 - The Amityville Horror (1979)


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Saturday, 11 October 2025

COMMENTARY CLUB 117 - Death Ship


In this episode, we set sail for a crap movie, and wind up aboard Death Ship (1980), an odd mix of ghosts and maritime mayhem!

DIRECT DOWNLOAD - COMMENTARY CLUB 117 - Death Ship


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Sunday, 18 May 2025

HYPNOGORIA 285 - Remembering the Ghostly Books of Aidan Chambers



This week, the great children's author Aidan Chambers sadly passed away. And this show we take a fond look back on the ghostly books he penned and the various anthologies of spooky stories he edited.

DIRECT DOWNLOAD - HYPNOGORIA 285 - Remembering the Ghostly Books of Aidan Chambers


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Sunday, 2 March 2025

FROM THE GREAT LIBRARY OF DREAMS 133 - The Empty House by Algernon Blackwood


A classic eerie tale from Mr Algernon Blackwood  concerning a vigil held in an allegedly haunted house.

DIRECT DOWNLOAD - The Empty House by Algernon Blackwood


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Monday, 25 December 2023

THE GHOSTS OF CHRISTMAS ADVENT CALENDAR - Door 25 - Haunted Holidays


It has been claimed that ghosts are not permitted to walk at Christmas. But this is clearly false, as we heard! And so let us celebrate Christmas Day, with a tale of a spectral clown and a haunted painting! 


On Christmas Day, 1890, a disturbing story appeared on the front page of a Victoria newspaper, the Daily Colonist, which told us "Just as the clock was striking midnight, ushering in the joyous Christmas day, a misdeed as dark, cowardly and mysterious as ever disfigured the history of this province was perpetuated.”

A young man named David Fee, who was only 21 years old, had gone out to a costume party. Fee had dressed up in a white clown costume. After the revelries had finished, Mr Fee had then walked to meet his parents for evening mass. But just as Fee arrived at the corner where the cathedral lay, a man leapt out from the shadows and aimed a double-barrel gun at him. The man simply said, "You challenged me!"

Before Fee could answer, the man fired, killing Fee on the spot. Apparently it was a tragic and brutal case of mistaken identity. But ever since that night, especially on Christmas Eve, it is said you can see a ghostly clown, the shade of David Fee, slowly walking the streets around the cathedral.


Now Christmas Day is a time for family and friends to gather together, and houses, rich and poor, large and small, are often full of guests come for the festive season. And of course at such gatherings, a ghost story or two may well emerge. Such is the case with the strange story of a haunted room in a grand old house near Manchester. The story was told to famed ghost hunter Elliott O’Donnell some years prior to the Great War by a Miss Mellie, who actually experienced the phenomenon. He recounted Mis Mellie’s festive brush with fear thus in his 1931 book Rooms of Mystery. 

She was invited to spend Christmas in an old country house to the north of Manchester with some people who, for the sake of convenience, I will call Barron - Colonel and Mrs. Barron. She was allotted a room in the front of the house immediately overlooking the drive. It was a large and rather gloomy room, furnished after the ponderous fashion of the mid-Victorian era. Several pictures hung on the oak-panelled walls, but the one that attracted her attention most was that of a handsome young man, clad in the costume of the early Georgian era. There was something about his boyish face and laughing eyes that pleased her very much, and she stood, after dressing for dinner , for quite a long time looking at it. 

Two nights later she was alone in her room, dressing for dinner, she heard a curious banging, rattling sound. When she turned around, she saw to her amazement that the picture that had interested her so much, the portrait of the young man with the laughing eyes, was swinging backwards and forwards on the wall as if someone were shaking it very violently. But the moment she approached it, she got another shock. The portrait became suddenly still, but the picture itself had undergone a horrible transformation. The young man now had no head. Where the head should have been there was nothing; the neck terminating in a bloody stump, which was so realistic that Miss Mellie fainted. When she recovered, her maid was standing over her with a glass of water. Wondering if she could possibly have been dreaming, and thinking that the maid would deem her mad if she told her what had just happened, she attributed her faint to the heat of the room and continued dressing, and in due course went down to dinner. 

During dessert, when the servants were out of the room, she said to her hostess, “I witnessed a rather remarkable phenomenon just now in my bedroom, I think it must have been due to vibration.” 

“What was that?” Mrs. Barron said, turning slightly pale. 

“Why,” Miss Mellie went on, “the portrait of that handsome youth in early Georgian costume began to sway about, as if in a hurricane, or at least as if someone were shaking it vigorously. Moreover…” But here the lady sitting next to her, a relative of the Bartons, gave her a nudge, and Miss Mellie, realising that she had probably made a faux pas, said no more. 

Mrs. Barron was now deadly pale, and a painful silence ensued, but, thanks to the tact and cleverness of the aforementioned relative of the Bartons, who enquired of the Colonel what programme he had in store for them all on the morrow - Christmas Day - the tongues of the guests were loosened, and in a few moments the conversation resumed.

Some minutes later, in the drawing-room, the lady who had nudged Miss Mellie drew her aside and said to her, “Whatever induced you to allude to that picture? I suppose you don’t know the tradition. Listen, and I’ll tell it you as briefly as possible...

"That young man in the portrait was a Jacobite ancestor of Colonel Barron, and he was heir to this property at the time of the 1715 Rebellion. The second brother, who coveted the estate, hatched a diabolical plot. He hired two men to waylay and murder the heir when he was on his way to join the Old Pretender’s army, so that his death would naturally be attributed to an encounter with enemy troops. Everything turned out as the second brother had hoped, up to a certain point. The assassins waylaid the heir, cut off his head, and buried his remains by the roadside. After they had received payment, however, by chance one of the sisters of the brothers overheard the assassins say that they had not been paid enough. 

On her telling her father what she had overheard, the father had the two men seized, and he himself threatened them with instant death if they did not confess. The two men then confessed, and by doing so placed the parents in a terrible dilemma. To give the killers up to justice would mean revealing their second son’s guilt, while to hush the matter up, would mean a heavy bribe which they could not afford to pay. Choosing the latter, they paid the two rogues an exorbitant sum of money, and subsequently sent the son who had brought all this trouble upon them away to study abroad, where, within a few months of his arrival, he was killed in a drunken brawl. 

Immediately before his death, however, the portrait of the brother he had murdered, which was hanging on the wall of the room he had occupied during his lifetime, was seen to swing backwards and forwards, whilst the head in it temporarily disappeared, leaving the neck a mere stump, jagged and bleeding. These ghastly phenomena have been repeated ever since, always before the death of a member of the Barron family, and it is for this reason that your reference to that picture just now caused such a sensation. I only hope that the omen in this instance will prove futile, and that no death will ensue.” 

Miss Mellie was, of course, greatly perturbed on hearing what her experience augured; but she was very shocked indeed, when, a few days after her visit to the Bartons, she was told that they had just received the news of the death of their eldest son in a boating accident.

And so then dear friends, that sinister tale brings our Ghosts of Christmas advent calendar to a close! And believe it or not, we have only detailed but a few of the spooks and phantoms that are said to walk at Yuletide, so do keep an eye out, for they may a Christmas spectre that walks near you! So then, from all of us here at the Great Library of Dreams, we wish you all a very merry Christmas and a prosperous New Year! 


DIRECT DOWNLOAD - Door 25 - Haunted Holidays



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