A tale of a lone man stranded on Mars with only himself for company, and one that now reads like a prediction of the perils of chatbots and AI.
Showing posts with label ray bradbury. Show all posts
Showing posts with label ray bradbury. Show all posts
Sunday, 27 April 2025
FROM THE GREAT LIBRARY OF DREAMS 138 - I Mars by Ray Bradbury
Sunday, 27 June 2021
MICROGORIA 097 - The Sound of Thunder Lizards
In a little T Rex tangent I couldn't fit into the Damnation Alley saga, we exploring the culty connections between dread dino Satanus in Judge Dredd, Michael Crichton's Jurassic Park and Westworld, time tourism, 2000 AD's Flesh, T Rex hunting, and Ray Bradbury!
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Sunday, 19 April 2020
HYPNOGORIA 143 - The Life & Works of Stuart Gordon Part 2
In the second part of our celebration of the marvelous movies of the late great Stuart Gordon, we voyage to the future with Space Truckers and Fortress, and delve into the past to discover the secrets of Castle Freak. We return to Lovecraft and Poe with Gordon's versions of The Black Cat and Dreams of the Witchhouse, and find different dreams coming turn in Ray Bradbury's The Wonderful Ice Cream Suit. Finally we journey in to the heart of darkness with his final movies, King of the Ants, Edmond and Stuck.
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Saturday, 9 November 2019
ELDRITCH LIGHT ORCHESTRA - October Games
Thursday, 31 October 2019
THE OCTOBER GAME by Ray Bradbury
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Friday, 27 October 2017
HYPNOGORIA 74 - The Origins of Halloween Part V
Continuing in our annual series on the history of the spookiest night of the year, Mr Jim Moon takes at a look Halloween in the mid-twentieth century. We talks about the works of Ray Bradbury, the horrors of EC comics, and the Disney classic retelling of the Legend of Sleepy Hollow, The Adventures of Ichabod and Mr Toad (1949).
DIRECT DOWNLOAD - HYPNOGORIA 74 - The Origins of Halloween Part V
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Tuesday, 13 October 2015
GREAT GHOSTS OF THE SHELVES #22 - Tracing the Dark Carnival
Dark Carnival was Ray Bradbury's first book, comprised of some twenty-seven tales, and published by the legendary Arkham House in 1947. While Bradbury would become famous as an SF author, he had always written more than just science fiction, and the early stories collected in Dark Carnival showcase Bradbury's dark side in a brilliant collection of eerie fantasies and imaginative horror tales. Now then, the tales in Dark Carnival have had a long and tangled publishing history (as alluded to last week), which I shall attempt to unravel here. Here are the details of the first edition -
(Arkham House 1947 US)
- The Homecoming
- Skeleton
- The Jar
- The Lake
- The Maiden
- The Tombstone
- The Smiling People
- The Emissary
- The Traveler
- The Small Assassin
- The Crowd
- Reunion
- The Handler
- The Coffin
- Interim
- Jack-in-the-Box
- The Scythe
- Let's Play 'Poison'
- Uncle Einar
- The Wind
- The Night
- There Was An Old Woman
- The Dead Man
- The Man Upstairs
- The Night Sets
- The Cistern
- The Next In Line
DARK CARNIVAL
(Hamish Hamilton 1948 UK)
- The Crowd
- The Emissary
- The Jar
- The Lake
- The Man Upstairs
- The Night
- Skeleton
- The Small Assassin
- There Was An Old Woman
- Uncle Einar
- The Tombstone
- The Next In Line
- The Wind
- The Cistern
- Homecoming (former The Homecoming)
- The Dead Man
- Let's Play 'Poison'
- The Handler
- The Smiling People
- The Traveler
- The Maiden
- The Night Sets
- The Scythe
- Reunion
- Interim
- Jack-in-the-Box
Several years later, fifteen of the tales in the original Dark Carnival were reprinted, some in a revised form, in a later collection entitled The October Country. This was published in the US by Ballantine Books in 1955, with cover art and interior illustrations by Joe Mugnaini. The October Country also included four additional tales, which had previously appeared in other places, but fitted in nicely to the autumnal feel of this collection.
THE OCTOBER COUNTRY
- The Crowd (DC)
- The Emissary (DC)
- The Jar (DC)
- The Lake (DC)
- The Man Upstairs (DC)
- The Scythe (DC)
- Skeleton (DC)
- The Small Assassin (DC)
- There Was An Old Woman (DC)
- Uncle Einar (DC)
- The Dwarf (OC)
- The Next in Line (DC)
- The Watchful Poker Chip of H. Matisse (OC)
- The Wind (DC)
- The Cistern (DC)
- Homecoming (DC)
- The Wonderful Death of Dudley Stone (OC)
- Touched With Fire (OC)
- Jack-in-the-Box (DC)
(DC) = stories from Dark Carnvial (1947)
The October Country was also printed in the UK by Rupert Hard Davis Ltd. in 1956, again with a cover by Joe Mugnaini, a variant of the US edition, but with the stories in a different order.
THE OCTOBER COUNTRY
(Rupert Hard Davis Ltd. 1956 UK)
- The Dwarf (OC)
- The Next in Line (DC)
- The Watchful Poker Chip of H. Matisse (OC)
- Skeleton (DC)
- The Jar (DC)
- The Lake (DC)
- The Emissary (DC)
- Touched With Fire (OC)
- The Small Assassin (DC)
- The Crowd (DC)
- Jack-in-the-Box (DC)
- The Scythe (DC)
- Uncle Einar (DC)
- The Wind (DC)
- The Man Upstairs (DC)
- There Was An Old Woman (DC)
- The Cistern (DC)
- Homecoming (DC)
- The Wonderful Death of Dudley Stone (OC)
Right then, pay close attention, because this is where it gets complicated! The first paperback edition from Ballantine in 1956 reprinted all nineteen stories, and used the running order from the UK hardback. And this remained the format for subsequent paperback editions in the US. Furthermore Rupert Hard Davis Ltd. reissued The October Country as a hardback several times down the decades, retaining the same contents.
However the UK paperback editions somewhat confusingly slimmed down the book, whittling down the story count to thirteen. And there was to be another significant change too - for only twelve tales from The October Country would be included, and the thirteenth tale would be The Traveler from Dark Carnival. This new line-up of thirteen stories first appeared in the 1961 paperback edition from Ace UK, but later was adopted for other editions from the New English Library (in 1970 and 1975), and Panther (1976 and 1984).
THE OCTOBER COUNTRY - UK Paperback Edition(Ace UK 1961)
- The Dwarf (DC) (OC)
- The Watchful Poker Chip of H.Matisse (OC)
- The Skeleton (DC) (OC)
- The Jar (DC) (OC)
- The Traveler (DC)
- The Emissary (DC) (OC)
- Touched with Fire (OC)
- The Scythe (DC) (OC)
- Uncle Einar (DC) (OC)
- The Wind (DC) (OC)
- There was an Old Woman (DC) (OC)
- The Homecoming (DC) (OC)
- The Wonderful Death of Dudley Stone (OC)
However it was a regular publishing convention that large books of short stories like this would often be broken up into two separate volumes for the paperback release. And while they often appeared marked as Such-And-Such Volume 1 and 2, it was not uncommon for publishers to retain the original title for the first half but publish the second with an entirely new title.
So then, in the UK, the missing tales would get a separate volume of their own, one that was not billed as The October Country Vol. II. Instead the rest of the stories would appear in a paperback entitled The Small Assassin. However in this case, as there were only seven stories left over, it was decided to make up the shortfall with a selection of tales from Dark Carnival that have not made it into earlier versions of The October Country.
THE SMALL ASSASSIN
(Ace UK 1962)
(Ace UK 1962)
- The Small Assassin (DC) (OC)
- The Next In Line (DC) (OC)
- The Lake (DC) (OC)
- The Crowd (DC) (OC)
- Jack-In-The-Box (DC) (OC)
- The Man Upstairs (DC) (OC)
- The Cistern (DC) (OC)
- The Tombstone (DC)
- The Smiling People (DC)
- The Handler (DC)
- Let’s Play “Poison” (DC)
- The Night (DC)
- The Dead Man (DC)
The Small Assassin was reprinted in paperback by Four Square in 1964 and 1965, then again by the New English Library in 1970 and 1973, by Panther in 1976, and again by Pather/Granda in 1984. The last edition was by Grafton in 1986. So then, all but five stories from the original Dark Carnival were printed in The October Country and Small Assassin UK paperbacks. For the record, the uncollected tales were -
- The Maiden
- Reunion
- The Coffin
- Interim
- The Night Sets
Now for years, Bradbury forbade a reprinting of Dark Carnival, because he had revised many of the stories for The October Country. However he relented in 2001 and allowed a limited edition to be done. This luxury reprint was limited to 750 copies and featured four new stories and an afterword by Clive Barker. And even more limited edition of 52 copies was produced that was lettered, leather-bound and trayed. This version was signed by both Bradbury and Barker, came a CD of an audio interview with Bradbury, and with a chapbook contained an extra tale - Time Intervening
DARK CARNIVAL
(Gauntlet Press 2001 US)
- Jack-in-the-Box
- Let's Play 'Poison'
- Reunion
- Skeleton
- The Cistern
- The Coffin
- The Crowd
- The Dead Man
- The Emissary
- The Handler
- The Jar
- The Lake
- The Maiden
- The Man Upstairs
- The Next In Line
- The Night
- The Night Sets
- The Scythe
- The Small Assassin
- The Smiling People
- The Tombstone
- The Traveler
- The Wind
- There Was An Old Woman
- Uncle Einar
- Editors Notes - essay by Donn Alright
- Dark Carnival Revisited - essay by Ray Bradbury
- Dark Carnival: A History - essay by Jon Eller
- The Last Unknown: An Afterword by Clive Barker
- The Sea Shell*
- The Watchers*
- Bang! You're Dead!*
- The Poems*
- The Homecoming
- Interim
* new stories added in this edition
However previously the Gauntlet Press also published a limited edition of The October Country too in 1997 for its 40th anniversary. This was limited to 500 copies, with a deluxe leather-bound edition of 52 copies. There were no new stories added to this edition, so I shall spare you all another listing!
And finally, and for the sake of completeness, Bradbury was to write few more tales concerning the strange and monstrous Elliot Family who feature in three tales first published in Dark Carnival, which would appear in his collections The Golden Apples of the Sun (1953), The Toynbee Convector (1988). In 2001, all the Elliot Family tales were collected into a single volume entitled From the Dust Returned and woven into a novel format. It was published by William Morrow/Harper Collins and appropriately enough featured a cover by Charles Addams.
- The April Witch (from The Golden Apples of the Sun 1953)
- Homecoming (from Dark Carnival)
- West of October (from The Toynbee Convector 1988)
- On the Orient North (from The Toynbee Convector 1988)
- Uncle Einar (from Dark Carnival)
- The Traveler (from Dark Carnival)
- From the Dust Returned (originally only published in The Magazine of Fantasy &Science Fiction, September 1994)
Wednesday, 7 October 2015
GREAT GHOSTS OF THE SHELVES #21 - The October Country
When I was young, I had a huge appetite for anthologies of weird fiction, largely spawned by my encounters with previously discussed volumes such as Deadly Nightshade, Ghostly Gallery and Ghosts, Spooks & Spectres. After ploughing through a great many short stories collections, I began to assemble a mental list of authors, writers that I knew always delivered a cracking tale. And if I saw an anthology in a library or bookshop that had a tale by one of "The List" which I hadn't read or didn't already own, said book instantly was borrowed from the library/bought if I had the pocket money to spare.
Now one of the oldest names on "The List" was Ray Bradbury, whose classic story The October Game in Deadly Nightshade made an unforgettable impression upon me, and if you've ever read that very dark and masterfully told tale you will know exactly what I mean. And as one of the top names on "The List", I was naturally mad keen to my little mitts on anything by Bradbury. The first book of his that I owned was a battered Corgi paperback edition of The Illustrated Man, which naturally I adored, but I was keen to track down some collections of his more horror-orientated tales.
I'd gleaned from somewhere, probably a bio blurb, that the collection I wanted was Dark Carnival, which by all accounts featured some of his most famous horror tales. I would later discover that this was his very first book, and also published first by the legendary Arkham House. However I also learned very quickly that it was wasn't readily available in his country, and it was even in the late 1970s already changing hands for well beyond pocket money prices. But fortunately, I also soon discovered that through a long and tangled publication history, that I will outline another day, a good two thirds of the tales in Dark Carnival had later been reprinted in another Bradbury collection entitled The October Country.
And this particular book had been split into two volumes for the UK paperback market, with one half appearing as the edition that you can see pictured above and the other as another paperback entitled The Small Assassin. Now I luckily discovered this just as I had some birthday money to spend, however less fortunately, it would only stretch to one book. So which did I choose? Well, obviously the one with the grinning skull and what looked like a Grim Reaper on it! Seriously though, despite the considerable allure of that bony visage on the cover, the very title just appealed to me... The October Country... a promise of place where the leaves are always turning, the scent of bonfires haunts the air, and Halloween is always near.
The full line-up of tales in my edition was -
I'd gleaned from somewhere, probably a bio blurb, that the collection I wanted was Dark Carnival, which by all accounts featured some of his most famous horror tales. I would later discover that this was his very first book, and also published first by the legendary Arkham House. However I also learned very quickly that it was wasn't readily available in his country, and it was even in the late 1970s already changing hands for well beyond pocket money prices. But fortunately, I also soon discovered that through a long and tangled publication history, that I will outline another day, a good two thirds of the tales in Dark Carnival had later been reprinted in another Bradbury collection entitled The October Country.
And this particular book had been split into two volumes for the UK paperback market, with one half appearing as the edition that you can see pictured above and the other as another paperback entitled The Small Assassin. Now I luckily discovered this just as I had some birthday money to spend, however less fortunately, it would only stretch to one book. So which did I choose? Well, obviously the one with the grinning skull and what looked like a Grim Reaper on it! Seriously though, despite the considerable allure of that bony visage on the cover, the very title just appealed to me... The October Country... a promise of place where the leaves are always turning, the scent of bonfires haunts the air, and Halloween is always near.
The full line-up of tales in my edition was -
The Dwarf
The Watchful Poker Chip of H.Matisse
Skeleton
The Jar
The Traveler
The Emissary
Touched with Fire
The Scythe
Uncle Einar
The Wind
There Was an Old Woman
Homecoming
The Wonderful Death of Dudley Stone
Now if you are familiar with all or just some of the tales from Dark Carnival or the original version of The October Country - for many have been reprinted elsewhere over the years - I think you'll agree the most horrific of them actually ended up in The Small Assassin. Now that's not to say that there aren't some fine horror stories in this collection - real skin freezers like Skeleton or The Emissary - but there are also plenty of eerie fantasies too, haunting tales that touch the heart or make you smile, making this selection the lighter half of the stories on the whole. However despite that, this book certainly did not disappoint my younger self, and The October Country was somewhere I'd revisit time and time again.
Admittedly there were a couple of stories that would take time to grow on me - The Watchful Poker Chip of H.Matisse I'm looking at you - but on the whole, I fell in love with these stories right from the first reading. Just as his SF was always about more than just silver rockets and strange planets, so too in these weird tales: the darkness Bradbury is exploring is our own inner spaces, breaking the boundaries of our usual thinking, and mapping the chambers of the human heart. Hence even when Bradbury takes us to the more whimsical regions of his autumnal lands, there is still a real weight to the tales, delivering stories that resonate in the mind and capture the imagination just as powerfully as as the pure horrors found in the likes of The Jar.
The lighter tales in this collection also acknowledge the romance and appeal of the horror genre. As a life-long lover of Halloween, Bradbury's October Country reflects the fun as well as the frights of the dark season. And nowhere is this seen more clearly in the loose trilogy of tales concerning the Elliot Family. In The Traveler, Uncle Einar and Homecoming we are introduced to a strange clan of folks who dwell on the dark side, and possess many strange talents or shapes. In many ways, Bradbury's family are the forerunners of similar but more well-known macabre enclaves, the Addams Family and The Munsters. But while those two more famous families were played just for laughs, Bradbury's tales are far more profound, exploring a secret world that where the darkness has been embraced, where horror is celebrated as a virtue, and being monstrous is the norm. The Elliot Family tales are tremendous fun, but they also have a great deal to say about our own attractions to the horror genre, that blurred line where having fun is being frightened, and where we get to swap places with the monsters for a while.
Now around this time of the year, the web fills up with features and articles recommending spooky tales for the Halloween season, and you can discover a great many classic chillers perusing them. However, if you want a collection of tales that are as beautiful as they are chilling, as lyrical as they are horrific, and one that imaginatively explores our relationship with the darkness, then book a ticket to travel to The October Country. And if you do, you may well find, that like myself, you'll be revisiting these tales this time every year...
Now if you are familiar with all or just some of the tales from Dark Carnival or the original version of The October Country - for many have been reprinted elsewhere over the years - I think you'll agree the most horrific of them actually ended up in The Small Assassin. Now that's not to say that there aren't some fine horror stories in this collection - real skin freezers like Skeleton or The Emissary - but there are also plenty of eerie fantasies too, haunting tales that touch the heart or make you smile, making this selection the lighter half of the stories on the whole. However despite that, this book certainly did not disappoint my younger self, and The October Country was somewhere I'd revisit time and time again.
Admittedly there were a couple of stories that would take time to grow on me - The Watchful Poker Chip of H.Matisse I'm looking at you - but on the whole, I fell in love with these stories right from the first reading. Just as his SF was always about more than just silver rockets and strange planets, so too in these weird tales: the darkness Bradbury is exploring is our own inner spaces, breaking the boundaries of our usual thinking, and mapping the chambers of the human heart. Hence even when Bradbury takes us to the more whimsical regions of his autumnal lands, there is still a real weight to the tales, delivering stories that resonate in the mind and capture the imagination just as powerfully as as the pure horrors found in the likes of The Jar.
The lighter tales in this collection also acknowledge the romance and appeal of the horror genre. As a life-long lover of Halloween, Bradbury's October Country reflects the fun as well as the frights of the dark season. And nowhere is this seen more clearly in the loose trilogy of tales concerning the Elliot Family. In The Traveler, Uncle Einar and Homecoming we are introduced to a strange clan of folks who dwell on the dark side, and possess many strange talents or shapes. In many ways, Bradbury's family are the forerunners of similar but more well-known macabre enclaves, the Addams Family and The Munsters. But while those two more famous families were played just for laughs, Bradbury's tales are far more profound, exploring a secret world that where the darkness has been embraced, where horror is celebrated as a virtue, and being monstrous is the norm. The Elliot Family tales are tremendous fun, but they also have a great deal to say about our own attractions to the horror genre, that blurred line where having fun is being frightened, and where we get to swap places with the monsters for a while.
Now around this time of the year, the web fills up with features and articles recommending spooky tales for the Halloween season, and you can discover a great many classic chillers perusing them. However, if you want a collection of tales that are as beautiful as they are chilling, as lyrical as they are horrific, and one that imaginatively explores our relationship with the darkness, then book a ticket to travel to The October Country. And if you do, you may well find, that like myself, you'll be revisiting these tales this time every year...
Sunday, 26 July 2015
MICROGORIA 17 - Lee-viathan 99
In a stop-gap episode, Mr Jim Moon raids the archives of the Great Library of Dreams to uncover the tale of Leviathan '99 - a 1960s experimental radio play. This space age sonic drama was a riff on Moby Dick penned by the late great Ray Bradbury and starred Sir Christopher Lee as an obsessed comet-hunting captain on a space vessel...
DIRECT DOWNLOAD - Leeviathan 99
Find all the podcasts in the HYPNOGORIA family here -
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Sunday, 17 November 2013
HYPNOBOBS 133 - I, MARS
In this show, Mr Jim Moon takes us on a journey from the Great Library of Dreams to a forgotten corner of the planet Mars, as imagined by the late great Ray Bradbury.
For more discussion on Ray Bradbury's Mars - Highway To Mars Podcast: The Martian Chronicles
Plus SFFAudio has a nice PDF of the original printing in Super Science Stories
DIRECT DOWNLOAD - I, MARS
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Sunday, 8 September 2013
HIGHWAY TO MARS - The Illustrated Man
The Illustrated Man is a widely celebrated collection of short stories by the legendary Ray Bradbury. In Part One of this podcast series, Stefan Sawynok outlines the tales that make up this seminal SF anthology.
HIGHWAY TO MARS - The Illustrated Man Part One
DIRECT DOWNLOAD
In Part Two Stefan is joined by Odile Thomas (of Sending A Wave) and Mr Jim Moon to discuss the best stories in this classic collection, and also talk about the 1969 film adaptation starring Rod Steiger and Claire Bloom.
HIGHWAY TO MARS - The Illustrated Man Part Two
DIRECT DOWNLOAD
Monday, 15 July 2013
HIGHWAY TO MARS - The Martian Chronicles by Ray Bradbury
Never kick a martian in the chronicles. Odile, Stefan and Mr Jim Moon work their way through Ray Bradbury’s collection of stories. This one is an epic and apologies for issues with the sound, Odile’s mic was having an off day – it needed a good hug. Due to the length we don’t have any synopsis however if you want a blow by blow rundown of the stories, check out the excellent Books Without Pictures – The Martian Chronicles
Highway to Mars website - http://highwaytomars.com/2013/07/the-martian-chronicles/
Hghway to Mars - The Martian Chronicles - DIRECT DOWNLOAD
Saturday, 30 June 2012
I, MARS by Ray Bradbury
Over at the wonderful SFFaudio, Mr Jim Moon reads an uncollected Martian Chronicle by Ray Bradbury - I, Mars
Click here to hear it!
Monday, 11 June 2012
HYPNOBOBS 81 - Radio Free Bradbury
To mark the passing of legendary author Mr Ray Bradbury, Mr Jim Moon raids the audio archives of the Great Library of Dreams to unearth old time radio adaptations of two of his classic tales, 'Kaleidoscope' from The Illustrated Man and 'Mars is Heaven' aka 'The Third Expedition' from The Martian Chronicles.
Find all the podcasts in the HYPNOGORIA family here -
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