It's All Hallows Eve and we are visiting the little village of Meadowsend where the locals grow nervous around the end of October. For here there are many whispered stories of old ghosts and folklore horrors, strange things are seen in the shadows, and voices call out of the night...
Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts
Friday, 31 October 2025
FROM THE GREAT LIBRARY OF DREAMS 154 - Once Upon a Halloween Night by Jim Moon
Sunday, 20 July 2025
FROM THE GREAT LIBRARY OF DREAMS 145 - Beating The Bounds by Jim Moon
In this episode, we begin a two part tale unearthed from the mysterious vaults of the Great Library of Dreams - a memoir of boyhood summer in a very different 1970s...
Sunday, 16 March 2025
FROM THE GREAT LIBRARY OF DREAMS 134 - The Tomb of Sarah by FG Loring
Restoration work in an old church accidentally releases an ancient horror in this classic Victorian vampire tale!
Sunday, 7 July 2024
HYPNOGORIA 265 - Kaiju History Part III - Monster Tales
In this chapter we meet the earliest examples of dinosaurs, colossal beasts, and giant mutant monsters in fiction!
Find all the podcasts in the HYPNOGORIA family here plus more articles on the weird and wonderful here -
Wednesday, 9 October 2019
CHASM by Stephen Laws
When I was a kid, I always remember the standard grown-up response to moaning about the weather was to point out that yes, it might be drizzling again, but on the other hand the UK didn't get hurricanes, tornados or earthquakes, so a bit of rain isn't so bad. And as well meaning as this line of reasoning was, it did have a somewhat difference effect - namely to make me terrified of the aforementioned hurricanes, tornadoes and earthquakes. Such is the impish nature of childhood imagination - if you're told "don't worry, that doesn't happen here", it instantly starts whispering "ah yes, but what if it did...".
And I wonder if Stephen Laws had a similar experience, for in Chasm, his tenth novel, he takes us to Edmonville, a typical sleepy little English town, and then promptly hits it with the earthquake of your nightmares. Entire buildings are leveled, the ground literally splits apart, swallowing up whole streets, and so much dust is thrown up, the sun is blotted out. Out of this wreckage a handful of survivors band together and attempt to survive while they wait for the outside world to send aid to the stricken town.
Now for many writers, this opening scenario would be enough to plot out the entire novel. And indeed, tales of ordinary folk surviving after some society-ending cataclysm have been a staple of British fantastic fiction since John Wyndham's Day of the Triffids. And indeed, in the early stages of the novel, as we meet the motley crew of characters who will band together to survive this epic disaster, it appears that is exactly the kind of tale Chasm is going to deliver. And indeed in the hands of other authors, this scenario would be enough for a novel in itself. However the wiley Mr Laws has some other tricks up his sleeve, and soon you will discover that the mega-quake that has leveled Edmonville is the stuff of nightmares in more ways than one.
Stephen Laws burst onto the horror scene back in 1985 with his debut novel Ghost Train, and followed it up with a string of well-received books that were hits with readers and critics alike. He proved time and time again to have a real flair for spinning out suspenseful yarns centred on original horror concepts, spurning the standard-issue malevolent ghosts, psychopathic killers and jaded vampires, and creating instead monstrous and macabre menaces that were both original and imaginative. And in Chasm Laws brought us perhaps his biggest and baddest creation yet - for this is no mere disaster tale, this is a conjuration of a truly epic evil. And the further you get in to this novel, the more you appreciate its scope and vision. Indeed when it was originally published back in 1998, Chasm was nominated for a British Fantasy award for Best Novel.
What's more, Chasm feels like a genuine progression too. While even in his first books, Laws always delivered interesting characters and intriguing scenarios, going through his novels you can clearly see a writer who is becoming more and more confident - not just telling bigger stories, but addressing deeper themes too. And Chasm sees him at the top of his game, effortless balancing all the action of you want from a widescreen supernatural horror tale with small-scale, carefully crafted character developments. For a supernatural terror to be effective, we need solid characters with motivations and believable emotional lives to bring the horror home. And this is something Laws has always understood well, and hence in Chasm he never lets the scale of the horrors overshadow the more intimate moments and details of the varied cast of characters.
Laws also knows well that no matter how imaginative your monsters are, they have to operate at a human level too. When it's just people versus monsters, it's easy for storytellers to fall into goodies and baddies tropes operating in simplistic black and white moral framework. However Laws has always been interested in the nature of evil, and how it is expressed through human actions and motivations, and itis something he has explored in many of his novels. Chasm is no exception, and hence while we do have an amazingly imaginative threat for our band of survivors to contend with, there's also more human menaces to deal with. And we are not just talking some folks going over to the Dark Side as it were, for Laws understands very well contrary to most fiction, the worst things happening don't necessarily bring out the best in us. And in Chasm human failings will prove be as big a threat as the cataclysm that befalls Edmonville.
Chasm is a massively entertaining book. There's more than enough action to keep you turning the pages, but the real joy of this novel is that Laws very adeptly throws in a new twist every time you get to a point where you think you know where the plot is going. There are some brilliantly imaginative developments that shift this novel far away from the usual post-apocalypse yarn you might be expecting, while Laws masterfully keeps the story grounded at a personal level, giving us characters we can relate to and a stake in their shattered world. And while there is a lot of truly cinematic set pieces in the novel, in the end it is also a book about human weaknesses and has much to say on the real nature of evil.
Now sad to say, currently horror is somewhat out of favour in British publishing, and one of the casualties of this has been that Mr Laws' marvelous novels have been allowed to go out of print. But thank the dark gods for PS Publishing who are still carrying the torch of UK horror! And they have just published a new revised edition of Chasm, coming as a gorgeous signed limited hardback or a trade paperback. And if you're looking for some classic British horror, pick up a copy today!
Chasm is available as a limited edition hardback here
Or as a trade paperback here
And I wonder if Stephen Laws had a similar experience, for in Chasm, his tenth novel, he takes us to Edmonville, a typical sleepy little English town, and then promptly hits it with the earthquake of your nightmares. Entire buildings are leveled, the ground literally splits apart, swallowing up whole streets, and so much dust is thrown up, the sun is blotted out. Out of this wreckage a handful of survivors band together and attempt to survive while they wait for the outside world to send aid to the stricken town.
Now for many writers, this opening scenario would be enough to plot out the entire novel. And indeed, tales of ordinary folk surviving after some society-ending cataclysm have been a staple of British fantastic fiction since John Wyndham's Day of the Triffids. And indeed, in the early stages of the novel, as we meet the motley crew of characters who will band together to survive this epic disaster, it appears that is exactly the kind of tale Chasm is going to deliver. And indeed in the hands of other authors, this scenario would be enough for a novel in itself. However the wiley Mr Laws has some other tricks up his sleeve, and soon you will discover that the mega-quake that has leveled Edmonville is the stuff of nightmares in more ways than one.
Stephen Laws burst onto the horror scene back in 1985 with his debut novel Ghost Train, and followed it up with a string of well-received books that were hits with readers and critics alike. He proved time and time again to have a real flair for spinning out suspenseful yarns centred on original horror concepts, spurning the standard-issue malevolent ghosts, psychopathic killers and jaded vampires, and creating instead monstrous and macabre menaces that were both original and imaginative. And in Chasm Laws brought us perhaps his biggest and baddest creation yet - for this is no mere disaster tale, this is a conjuration of a truly epic evil. And the further you get in to this novel, the more you appreciate its scope and vision. Indeed when it was originally published back in 1998, Chasm was nominated for a British Fantasy award for Best Novel.
Laws also knows well that no matter how imaginative your monsters are, they have to operate at a human level too. When it's just people versus monsters, it's easy for storytellers to fall into goodies and baddies tropes operating in simplistic black and white moral framework. However Laws has always been interested in the nature of evil, and how it is expressed through human actions and motivations, and itis something he has explored in many of his novels. Chasm is no exception, and hence while we do have an amazingly imaginative threat for our band of survivors to contend with, there's also more human menaces to deal with. And we are not just talking some folks going over to the Dark Side as it were, for Laws understands very well contrary to most fiction, the worst things happening don't necessarily bring out the best in us. And in Chasm human failings will prove be as big a threat as the cataclysm that befalls Edmonville.
Chasm is a massively entertaining book. There's more than enough action to keep you turning the pages, but the real joy of this novel is that Laws very adeptly throws in a new twist every time you get to a point where you think you know where the plot is going. There are some brilliantly imaginative developments that shift this novel far away from the usual post-apocalypse yarn you might be expecting, while Laws masterfully keeps the story grounded at a personal level, giving us characters we can relate to and a stake in their shattered world. And while there is a lot of truly cinematic set pieces in the novel, in the end it is also a book about human weaknesses and has much to say on the real nature of evil.
Now sad to say, currently horror is somewhat out of favour in British publishing, and one of the casualties of this has been that Mr Laws' marvelous novels have been allowed to go out of print. But thank the dark gods for PS Publishing who are still carrying the torch of UK horror! And they have just published a new revised edition of Chasm, coming as a gorgeous signed limited hardback or a trade paperback. And if you're looking for some classic British horror, pick up a copy today!
Chasm is available as a limited edition hardback here
Or as a trade paperback here
Labels:
british,
Chasm,
fiction,
horror,
novels,
PS Publishing,
reviews,
Stephen Laws
Sunday, 7 April 2019
HYPNOGORIA 113 - From Some Unknown Gulf of Night
DIRECT DOWNLOAD - HYPNOGORIA 113 - From Some Unknown Gulf of Night
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Sunday, 24 March 2019
HYPNOGORIA 111 - Rituals Unlimited - The Novels of Adam Nevill Part III
DIRECT DOWNLOAD - Rituals Unlimited - The Novels of Adam Nevill Part III
Find all the podcasts in the HYPNOGORIA family here -
HYPNOGORIA HOME DOMAIN - Full archive, RSS feed and other useful links
CLICK HERE FOR DETAILS
Sunday, 24 February 2019
GREAT LIBRARY OF DREAMS 57 - The Story of Medhans Lea
DIRECT DOWNLOAD - The Story of Medhans Lea
Find all the podcasts in the HYPNOGORIA family here -
HYPNOGORIA HOME DOMAIN - Full archive, RSS feed and other useful links
CLICK HERE FOR DETAILS
Monday, 24 December 2018
ALL THROUGH THE HOUSE - A Ghost Story for Christmas Eve
Welcome dear friends to the festive fireside of the Great Library of Dreams!
Well it is Christmas Eve, and outside a damp and misty night awaits. There’s a wet chill in the air but we still hold onto the hope of the temperature dropping a little further and delivering if not snow then at least a Christmas whitened by a glimmer of frost. However with the ghost of a fog hazing the streetlamps and tangling itself in the wet black dripping branches of the dead trees, it’s still a fine night to draw close to the fire and share an eerie tale.
Indeed it was upon a night not unlike this one - wet,cold and just before Christmas - that I first heard this tale. I had gone to meet my father for drinks, and had discovered the town to be unusually quiet for a night so close to Christmas. As it was, this suited both of us just fine, as it meant quick service at the bar and the pick of the best seats in the house. Our chosen venue was a little pub just off the market square, an old fashioned pub now long gone sadly.
It’s fortunes had wavered when the brewery in their infinite wisdom has gutted the place; ripping out all the old dark wood and brass fittings and replacing it with chrome and neon, effectively driving away the clientele had had been drinking there for generations in pursuit of a young and trendy crowd who wanted a yuppified watering hole. Perhaps it is needless to say that in a quiet northern market town, this punted for crowd in the end proved to be entirely imaginary. A few short and unprofitable years later, they ripped out all the now pitifully dated modern features and refurbished it once again, ironically putting back all brass fittings and traditional pub decor. Or rather what they put back was some idiot designer’s idea of what a traditional pub looked like. It was, of course, absolutely horrible. The smoking ban a few years later finally closed its doors, when all those shrill voices who claimed smoking kept them out of pubs blatantly failed to drop by for a pint. Since then it has been a skate shop, a mobile phone store, and a nail bar. It is currently closed now but I fully expect it to re-open as a vape shop in the near future and no doubt continue to sail the perilous seas of high street fads in the coming years too. I am sure there is some sort of parable for our times in there somewhere...
But to return to that night at the close of the ‘90s, not so long ago but now seemingly lost in an earlier age, the old place was then still in rude health, and capable of turning a decent profit even on a damp Tuesday evening. We had dropped in, as was our wont, to take part in the pub quiz, drawn by a decent prospect of winning and the free food that followed after. We had managed to come in third that night, only stumbling over some soap related questions, but the pasties, chicken drumsticks and mince pies afterwards had softened the blow considerably. We had bagged a couple of the comfier seats by the fire and were enjoying that special cosiness only possible on dark winter evenings in England in earlier, happier times. Soft lighting further smudged by smoke, the flashing lights of the one armed bandits dancing off the garlands of tinsel, the blessed absence of some big screen TVs pumping out satellite idiocy, and a jukebox happily running through its repertoire of ‘60s and ‘70s hits, still blissfully unaware of that the ‘80s, nevermind the ‘90s, had happened.
Now we had been joined in our quizzing endeavours by an old friend of my father’s. He was a big bearded man, imagine perhaps a slimmer Brian Blessed, but one with the volume turned down to a respectable level, but the same roguish twinkle in his eye. Indeed for the purposes of this tale, I shall call him Brian. He and Dad had known each other for years and there was a covert pleasure for me whenever he joined us, for after a few pints of best bitter had been sunk, there was every chance of an old and possibly mildly scandalous story from my Dad’s youth being aired, with Brian often proving that he was, as my mother had always alleged, a “bad influence” on my father. He himself had had something of a colourful career, and had dozens of often hilarious tales to tell of his various adventures in a variety of different professions.
Anyway on this particular evening - and thanks to several fine ales I cannot remember exactly how - the conservation turned to the strangest things we had ever encountered when working. Naturally having a somewhat shall we say interesting CV, Brian had several entertaining contributions to share. However these were, as it turned out, merely preambles to the main event. And that proved to be a story of a somewhat different nature to the jovial misadventures he had previous recounted. I shall endeavour to relay it as he told it to us that dark December night…
“Now the weirdest thing that ever happened, came when I was working as a property inspector. It was a few years ago now, and was a job I’d seen in the paper - it asked for little in the way of qualifications or experience, and the money was good. Very generous in fact. I never thought I’d get it, but at the interview, the head honcho, an odd little bloke called Mr Elwyn - I still to this day don’t know his first name - seemed to take a shine to me. He was a dapper chappie, very posh and decked out in a tailored three piece suit and always came to work with the full rolled umbrella, patent leather briefcase and bowler hat routine.
“When I walked in for the interview, I immediately thought I had no chance, but as I was wearing a tailored suit myself - a trophy from my time working in Saville Row - that seemed to break the ice."
(And I should point out this was true - at one point Brian had gone to London, and worked in a proper old school gentleman’s outfitters, as well as a youth club leader, a bus conductor, tourist guide, mime artist, and tube train driver. Well, I did say he had a colourful past. But I digress...)
“Anyhow we ended up talking about suits for a bit and before I knew it I had the job. Must admit I was both pleased and worried as I still wasn’t entirely sure what the position entailed. The outfit was called Panoptes Properties, and the job itself turned out to be something of a doodle, if a bit suspect. Basically I was now a property inspector. Every fortnight, I got a list of properties to go and visit, each one with its own file to be updated. It was entirely up to me to arrange in what order and when they were inspected, and once you’d done your lot, your time was your own pretty much. At least until the next batch came in. Naturally most of the blokes endeavoured to zip around the area as fast as possible and then effectively have a week off on full pay for nowt. “And that was more than possible - as the inspections weren’t exactly difficult. Basically you turned up, checked the properties were as they were described i.e. right number of rooms and what have you, take some pictures with a camera they issued you, and then update the file to say that yes, it was all present and correct. At first I thought I’d be fiddling about checking electrics, fire alarms and security systems and stuff, but no, it was just a case of seeing the place was still there it seemed.
“And here’s where things are a bit odd. To start with Elwyn had in his office a big old mahogany desk with three phones on it. One black, one white, and one red. I have no idea why - because according to the girls in the office, he never called anyone on them, and what’s more, those phones never rang once either. Secondly, nobody seemed to have the faintest idea why we were inspecting these properties or for who. There were plenty of theories of course. Most reckoned Panoptes must be a contractor for an insurance firm, while others thought - mainly on the basis that Elwyn wore a pinstripe suit - that we were actually a covert operation for the tax man. Certainly on some occasions I had been to visit a property that turned out to be an empty lot on an industrial park, so we may well have been some sort of operation to check if people were falsely declaring property assets. However, while over a few pints in the local, the guys would occasionally float wilder theories that we were stooges for industrial espionage or a secret police sting operation, at the end of the day no one questioned anything too much as the work was easy and the pay was good.
“However the possibly shady set-up of the business, isn’t what I have to tell you about. It’s about one of the inspections I had to make. It wasn’t a big thing, and you’ll probably laugh, but it fair rattled me at the time all the same. Funnily enough it happened around this time of year, last week of December. Or rather should I say last week of work before Christmas. Now I’d cleared my list for the fortnight, and done all the far flung trips first, and all I had left was one job that I’d deliberately left ‘til last as it was local. A job lot of two properties used as office space just a little way out of the town centre. According to the records they looked pretty small and therefore I could tick them off them quickly, knock off, and get into town and do some Christmas shopping.
“Now I bet none of you are that familiar with Cotters Lane are you? Even though you’ve lived here all your lives. That was one of the things I really liked about that job was the fact it took you to interesting places you never knew existed. Anyhow, Cotters Lane is about halfway up off North Road, and is tucked away in the scuzzy bit that’s full of garages, grotty furniture stores and old workshops. There’s lots of back streets and alleys, quite slummy really, and there’s not many houses there as the railway line runs through there. Well, not many you’d want to live in anyways.
“However if you go down one of those alleys, after you get passed some delectict terraces, the road suddenly opens up and there is a little street that looks totally out of place. Old fashioned cobbled road, original cast iron street lamps, and about ten or so big old Victorian houses. Really fancy ones too, three storeys, wrought iron gates, gardens with gazebos, trees screening long gravel driveways up the houses. Not at all what you’d expect at all in that area. I found out later they’d been built by the big knobs of the town back in the heyday of the railways, all owned by train magnates and mill owners. Seems funny now, but they built their fancy homes there to be near their business you see! Very different to today!
“Anyhow the places I was too see over were 15a and 15b, which turned out to be two houses on the same lot - 15a being the large main residence and 15b, a smaller but still quite plush house a little way next door. As both were built at the end of a long gravel driveway that looped round between two gates in the high stone wall that ran round the border of the property, I would guess that perhaps the smaller house had been servants quarters originally.
“As was the usual procedure, I snapped some pictures of the exteriors first. I had got here about 2 o’clock but it was already getting dark being a somewhat overcast day to start with, and I could see that 15a looked busy. Or at least all the lights were on. In 15b there was but a single lamp shining in an upper window. And so with the preliminary snaps done, I wandered up to 15a first. The main front door was stood open, leading into a small vestibule, with another door and a bell. A sign attached to the glass pane of the inner door proclaimed it to be the home of Pathways and bade visitors to ring for assistance. And so I did.
“A moment later, a curly haired head popped round the door and asked what I wanted. It was a bit unusual but I’d dealt with less friendly welcomes. I did the usual spiel - here for the inspection blah blah, we wrote you last week blah blah and this rather weird guy opened the door and ushered me in, muttering as he did so, and then wandered off. I presumed to get hold of someone in charge. So I waited. No one came.
“About five minutes later, a girl in a baggy sweater and jeans with a punky hair-do - one of those one that look like a mad parrot, all shaved on one side - wandered through the hallway, and I waved and said hello. She looked nervous, and mumbled something and then shuffled off too. However thankfully this time, she did come back with a shorted bearded man in shorts in tow. He bounded over, shook my hand, and apologised for my wait. Before I knew it I had been whisked off down a corridor to his office and coffee was being made. He introduced himself as Tim Talbot, the project leader, explained to me what Pathways was, and all became clear.
“Apparently this was a drop-in centre for folks with disabilities and mental health issues. They did counselling, gave advice, ran workshops and all sort of little activities. Now I’m a bit familiar with this kind of thing from my days in youth work, and generally these places are ran by two sorts of people - one are those types to thought it would be a cushy option and are now somewhat sullen and bitter, and then there’s the other sort - hard-working, and tirelessly caring. Tim instantly struck me as a type two, and as he showed me round, I could see he was doing a great job with very little funding.
“Now I knew from my files that both properties were owned by a Smithson and Riddle, an old firm of lawyers. And apparently thanks to a bequest from the original Mr Riddle, Pathways had leased both properties for an absurdly small peppercorn rent. However I was less than impressed to hear from Tim that the current Mr Smithson, a young chap just taking over from his father, was apparently less than keen with this arrangement and there muttering from on high that the new blood wanted to shake things up a bit. And what’s more this new broom was keen to see off - and I quote - “those bloody nutters” and put the properties to more profitable use, arguing that seventy or so years of charity was quite enough. In true cold-blooded fashion, this unofficial news had been kindly leaked down to Tim just the other week. Merry bloody Christmas eh!
“I was worried that my visit may well be aiding and abetting this, and keen to change the subject, I asked about 15b. ‘Oh we just use it for storage really’ said Tim. I raised a quizzical eyebrow - surely an operation needed as much space as it could lay its hands on. ‘Well, it’s partly down to a lack of funds to have enough staff to utilise it, but also because… well...’ Tim grinned somewhat mischievously, ‘Well, it has a certain reputation as being ...erm… an unquiet house...’
“Now I thought that this was some kind of legal euphemism for a knocking shop, and before I could stop myself, said as much ‘What? Like the one Cynthia Payne used to run?’
Thankfully Tim laughed, ‘No, God no! I mean, it’s supposed to be haunted!’
‘What! Ghosts?!?’
‘Yes, so the story goes… Well, if you can call it a story. Look, I took this place over about five years ago, and the old boy who’d been running it since the mid-Sixties told me that it was better just to use it for filing and storage. He said it’s not that big anyway, and you’re doubling your bills if you do, and the clients don’t like it either. Now being young and daft, I didn’t put much stock in his words, but when I went over there with a couple of strong lads who use the centre, they both were distinctly spooked - really did not like the place in any way, shape or form. Something about the place that seemed to rubbed them up the wrong way. I never saw or heard anything, mind you. But the next time I went over to fetch some stuff, again with a client in tow, she had a major meltdown after being in there just a couple of minutes. So I thought again on what he said, and nixed any plans to use the space for ‘owt else. And, at the end of the day, he was right about the bills, which conveniently deals with any awkward questions…’
He shrugged ‘Some places just don’t have a healthy atmosphere I guess, and three freakouts were enough for me. Anyhow, I'll take you over there now…’
“And so, with a bunch of rattling keys on one of those big old iron rings, Tim led the way across, and unlocked the big old front door, which swung open with a creak. . ‘Keep meaning to get some WD40 on that,’ said Tim absentmindedly ‘Anyway, the door’s on one of them old fashioned latches,’ he said ‘and I’ve got an appointment coming up so, I’ll leave you to it. Just shut the door when you’re done and it’ll lock itself! You know where to find me if you need me!’
‘Okey dokey,’ I replied and hung up my coat on the bannister post.
‘Oh by the way,’ said Tim, popping his head back round the door ‘There’s no electricity on, so watch your step! Hope your camera’s got a good flash!’
‘Oh yes, don’t worry about that’ I called cheerily.
“It was only after he’d gone, I thought to ask about the light I’d seen on in here earlier. But I had to crack on, what little daylight there was now was fading away. But thankfully it wasn’t a big place to photograph - just nine rooms, plus the hallway.
“It was nice and tidy though. They might not use it for anything other than a glorified stock cupboard, but it was spotless. Even all the junk mail and free papers were all stacked up nicely on a little table just under the coat rack in the hall. I very quickly whipped through the house, snapping as I went. The pictures may well turn out a bit murky, but it wasn’t high art that was required. And I was no Lord Lichfield. But high art wasn’t required. Just proof I’d been there and what I’d seen.
“I can’t honestly say I felt anything untowards at all. So much for the haunting I thought. Perhaps if I was taking my time and not madly racing to beat the fading daylight I might have gotten a little more spooked. After all, there is something eerie about being alone in an empty house. But right then I was more scared of ending up in an unfamiliar place in the dark and tripping and breaking my neck than any ghosties or ghoulies.
“Anyhow I got the snaps in the bag in record time, and headed back down stairs ready to whip into town and grab some presents and maybe a nice relaxing pint. However when I got down to the hallway, I found my coat was no longer on the bannister post. For a moment I wondered if someone else had been in the house and made off with it.
“Panic hit me like a train, as my wallet and car keys were in the pocket! I was about to run out in a mad lather to find a phone and ring the police, the bank, the RAC and what have you, when I suddenly stopped dead. Relief hit me like a shower of manna from heaven - my coat wasn’t gone! It was still in the hallway, but now it was hung up neatly on the coat rack. I retrieved it and put it on, and it was only when I reached for the latch that a wave of fear hit me. The door was still locked. No one, unless they had a key, could get in.
“Well, I didn’t know what was going on, but I wasn’t keen to hang around and find out. I swung open the door, which once again let out a loud creak. And that just freaked me out more. As there was no way, anyone, even someone with a key, could have gotten in without me hearing that. And I knew full well the back door was inaccessible - mainly because it was blockaded with six ton of old boxes of paperwork.
“I don’t mind admitting that I dashed out of that place like my coat tails were on fire, eager to put as much distance between me and that place as possible. And to get to a pub. Bollocks to presents!
“And my flight was only broken when I almost collided with a wee lad on a bike coming up to the front door. He was a little fella, ginger and with one of those birthmarks they used to call a port stain on his left cheek. It really did look like someone had splashed him with red ink. For a second I thought I had hit him and busted his nose.
‘Where the hell are you going lad!’ I shouted at the poor little sod, mainly out of panic than real anger.
‘I’m delivering the papers ain’t I!’ he replied sounding hurt.
‘Yeah’ I said, feeling foolish - I must have been in a right spin not to have seen the massive fluorescent yellow bag of newspapers he was toting. ‘Sorry son, my fault. I shouldn't have shouted. Look here’s a couple quid…’ and I fumbled in my pockets for some change. ‘Anyway I can save you a trip lad,’ I said as I hunted for the coins; No one lives in there anyway’
“The boy looked at me like I was daft but took the money all the same. ‘Thanks mister,’ he replied ‘But you’re wrong there. The old boy loves reading the local rag.’ and he nodded to Number 15b.I was about to reply that he must be wrong but when I followed his gaze I saw a light come on in the upstairs window. I could even see the lamp the light came from. A big old brass job with a domed shade of multi-coloured Tiffany glass. And I knew full well that there was no such lamp in that room...
“I don’t think anyone has ever run 100 meters faster. I was in my car and off back down the lane faster than, well, the fastest thing you can think off. And I sincerely hoped Cotters Lane would not feature in my properties in the future. And it didn’t either. Even though all the photos I took turned out completely black. But Mr Elwyn said that as the property was changing hands in the New Year, there was no need for a return trip.
“As it was, Elwyn and Panoptes weren’t around much longer either. In March the following year, he informed us we were shutting up shop, and that was that. I was sorry to see the job go - it had been a good number. But I was relieved all the same that I would never have to make another trip to Cotters Lane…”
And so that was his tale. It certainly drew a few gasps by the end, for during its telling Brian had gathered a few more listeners from nearby tables. Of course, there was suspicions that Brian had been playing to the crowd, but it was a good tale nevertheless, so no one asked too many questions.
However I never forgot it, and I can provide a sequel of sorts. In the last few years, the internet has made the researcher’s job far easier, and recently I thought to have a little hunt to see if I could turn up anything else. But I found no tabloid tales of a haunted house, nor even any dark deeds or horrible deaths - those usual seeds for a ghost - in Cotter’s Lane’s history. However there were several items in the local paper that are of interest. Two of which appeared in the year following Brian’s visit to Number 15b, and third that appeared just recently. Indeed it was my catching sight of this latest article that prompted me to do a little digging in the first place.
Firstly, there was a brief story about a newspaper boy who had made a remarkable find - on his round he had come across a very rare coin. It was a sovereign struck to commemorate the beginning of Queen Victoria’s reign. Sadly I could find no full-up article, but my research uncovered that another of these coins sold for in excess of £80 000 a few years ago. No wonder the little chap with a birthmark was beaming so widely in the accompanying picture. Not a bad tip I wager…
Secondly, the obituaries noted that a Mr Alex Smithson had died suddenly and tragically, in an accident involving a flight of stairs and a broken neck, while inspecting a new property he had earmarked for development.
Finally I can add that recently a Mr Tim Talbot was honoured with the keys to the town and a medal and other such hoopla for his outstanding years of service in local mental health services. And I understand that under his watchful eye, Pathways is still doing its good works on Cotters Lane...
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Saturday, 27 October 2018
HAUNTOGRAPHY - A Hypnogoria Special Part II - Gate of the Dead
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Tuesday, 23 October 2018
HAUNTOGRAPHY - A Hypnogoria Special Part I - Beating the Bounds
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Thursday, 4 October 2018
THE DARK MASTERS TRILOGY by Stephen Volk
To fans of all things weird and wonderful, the name Stephen Volk will ring many notable bells. He first came to prominence with his script for the gloriously demented movie Gothic (1986), directed by the equally demented legendary director Ken Russell, which recreated the famous gathering of poets at Lake Geneva that gave birth to modern horror fiction - with Byron’s physician and companion John Polidori penning The Vampyre which spawned modern vampire literature, and Shelley’s wife Mary creating Frankenstein. Volk himself would go on to work with another horror legend William Friedkin, the man who brought The Exorcist to the screen, writing the 1990 chiller The Guardian, and brought terror to the small screen himself with the short lived but fondly remembered ITV series Afterlife, in which a pre-Walking Dead Andrew Lincoln investigated eerie cases involving a medium played by the brilliant Leslie Sharp. He would also script The Awakening (2011), a chilling big screen haunted house tale, and has published several collections of razor-sharp short fiction - Dark Corners (2006), Monsters of the Heart (2013) and The Parts We Play (2016). However if all of the above weren’t impressive enough, Volk is most famous, or should that be infamous, for creating the now legendary Halloween BBC TV special Ghostwatch in 1992, a ground-breaking drama that caused a massive uproar for basically scaring the bejesus out of millions of viewers (see my podcast on the show for more details). So then, all in all, with this impressive career, thrilling and chilling audiences in cinemas, on television and on the page, it is fair to say that Volk is truly one of the modern masters of weird fiction.
Now one of the things that has consistently made Volk’s works so compelling is his appreciation and knowledge of the history of the genre, and in recent years he has been exploring the lives and times of other icons in the field. In 2013, he published a short novella with the late lamented Spectral Press, entitled Whitstable, which took a look at the life of Peter Cushing in his later years. He followed this up in 2015 with another novella for Spectral Press, Leytonstone which delved into the childhood of Alfred Hitchcock. More recently a proposed TV project that never got off the ground inspired a a third novella along similar lines. However in this tale, entitled Netherwood, we have not one legend but two, with best-selling author Dennis Wheatley, the man who wrote a string of black magic thrillers such as The Devil Rides Out, having a curious encounter with a real-life occultist, the notorious Aleister Crowley. And now Netherwood is being published along with the two earlier novellas in one volume by the excellent PS Publishing, as The Dark Masters Trilogy.
The book opens with Whitstable, which as many Hammer horror fans will know was Peter Cushing’s hometown. The story catches up with the famous horror star in the latter days of his career. When the tale opens Cushing has just lost the light of his life, his beloved wife Helen, and he is so stricken with grief that his own life is beginning to unravel. However like all the stories in this volume, what follows is not merely an exercise in storifying a biography. Instead Volk imagines scenarios and situations which will allow him to explore not only the lives and times of his subjects but also their characters.
Hence in Whitstable, we find the deeply bereaved Cushing approached by a young boy who mistakenly believes that Cushing is in fact one of the famous characters he made his own, the dashing Professor Van Helsing from the Hammer Dracula movies. And indeed, while the boy may well be somewhat confused, he certainly does need a real hero in his own life at that time. And Cushing, being the true gentlemen he really was, obviously cannot help but do all in his power to help the lad.
And although it may be a slight spoiler, I should reveal that this is not merely a story in which the real life Peter Cushing goes toe-to-toe with an actual vampire, like his fictional homage, Peter Vincent in the movie Fright Night (1985). Instead we have a far more compelling tale that will see Cushing going up against a very real world evil, but will also lead him to battling his own personal demons. Whitstable is a wonderful portrait of Cushing himself, and is packed with moments of menace and magic. But it is also profoundly moving too, a tale that is as touching as it is terrifying. And while obviously the events in Whitstable never really happened, by the end of it you will feel as if you have really met and spent some time with the legendary actor himself.
By contrast, while our opening novella catches its iconic subject in the latter days of his career, the second part of the book sees us meeting one of the greatest movie directors of all time in his boyhood. Inspired by an earlier short story Little H (found in his collection Dark Corners), the next novella Leytonstone has us journeying to London in the early years of the 20th century, to visit Alfred Hitchcock in his childhood. The tale takes as its starting point a story that Hitch himself often told - that when very young his father took him to the local police station, where without any explanation, the little boy was locked up in the cells. This was, as Hitchcock was informed upon his release, to show him what happened to naughty boys. It was an incident that Hitch never forgot, although whether the so-called lesson had quite the desired effect is open to question. For in later life, Hitchcock delighted in manufacturing disturbing situations to spring upon folks around him, often of a somewhat cruel nature, just to see how they would react.
Volk’s story recounts this boyhood trip to the clink through the eyes of little Alf, but the meat of the story is very much exploring the effects and aftermath it has on the future director. Once again, the story is jam-packed with all manner of details about Hitch’s early years and there are a legion of easter eggs for Hitchcock fans to spot, little allusions and echoes of famous scenes and images from his movies. But the real magic of this tale is the way in which Volk captures what it is like to be a little child, to be very much at the mercy of adults and struggling to understand the world around you and the people in it. Leytonstone is a much darker tale than Whitstable, and rightly so, for I think it is fair to say that the adult Hitchcock could be, shall we say, a somewhat difficult man to be around. However as sinister are the story gets, you never lose sympathy for the young Hitch, which is a remarkable feat considering what will unfold.
So then after the stories of a true gentleman, and a man who was somewhat personally macabre, the final novella Netherwood rather fittingly has a good chap tangling with a man the press dubbed “the wickedest man in the world”. Although now remembered best for writing a couple of books adapted by Hammer Films, most notably The Devil Rides Out, Dennis Wheatley had served his country in the war and dominated the bestseller lists for decades with his adventures and thrillers, the most famous of which were his black magic novels. Indeed, Wheatley even created a public image of himself as being an expert on all things occult back in the day.
Now Netherwood sees Wheatley receiving a summons from another iconic figure, indeed for many years the other name that would spring instantly to mind when someone mentioned black magic - Aleister Crowley. In earlier decades, this self-styled magician had outraged the world with his antics, very much creating the template for what we’d now call the classic rock and roll lifestyle. He travelled the world, took copious amounts of drugs, indulged in all manner of sexual excesses and sold millions of newspapers that eagerly recounted and indeed invented wild tales of his depavity. However by the 1940s, Crowley was largely forgotten, and suffering from the ravages of his excessive lifestyle, plagued by ill health, he lived out the last of his days in a somewhat eccentric boarding house in Hastings named Netherwood.
In this tale of occult wrangling between two key figures in the history of black magic, Volk has a lot of fun with these colourful characters. To begin with there is the irony that while Wheatley has dropped out of fashion and is now a somewhat forgotten former master of horror fiction, Crowley has never been more popular, with his life and magical writings commanding a huge audience across the world. However what is more fascinating is that as the strange story of Netherwood unfolds we discover that neither man is quite the character that their public reputations suggest. To begin with, the aged Crowley, a man who dubbed himself the Great Beast 666, is appealing to the young Wheatley for aid against an evil occult menace.
What follows is a fascinating meeting of minds. On one hand, there is as you would expect a clash of personalities, and indeed a conflict of philosophy and belief, between the conservative Wheatley and the libertine occultist. However there is also a touching mutual respect between the pair, despite their massive differences and constant trading of barbs and slights. Throughout the Dark Masters Trilogy, there is a running thread of essential ambiguity, and a recurring theme that explores the tension between having a famous public persona and the real private person inside. And these elements very much come to head in this fictional adventure between Wheatley and the Great Beast, making Netherwood a very fitting grand finale to the book.
It is very clear that Volk has really done his homework in researching his subjects in these tales. Each story is a treasure-trove of biographical details and allusions. However as top notch as the historical elements are, the real magic comes from the way Volk gets you to step into the minds of his characters. In this book, you will not only learn about the lives and times of this quartet of iconic figures, but you will get to know them as living, breathing people. And while the stories are gripping page-turners, it’s the sense of intimacy with these men that Volk conjures that will really hook your heart. The Dark Masters Trilogy is densely packed with all manner of biographical goodies that will repay many a revisit, but I think it’s the often profoundly touching journeys we take into the private lives of these characters that will have you coming back time and time again. And hence this is a book that deserves a permanent place on the bookshelves of any lover of the weird and the wonderful.
The release date is 19th October. And this marvellous tome is being launched it at Fantasy Con in Chester. Of course, you can order the book online too, direct from PS Publishing - with the regular hardback priced at £20.00, and signed editions are available for £40.00. Grab it now, as I suspect this one is going to be a collector’s item!
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Saturday, 25 March 2017
HYPNOGORIA 53 - Zombi Zombi Part X: Reanimating the Dead
In this episode, Mr Jim Moon explores the original dawn of the dead... when the zombie first shambled from folklore into horror fiction. Hence we are taking a look the first zombie tales that appeared in the 1930s, including HP Lovecraft's early classic Herbert West: Reanimator!
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